The member countries of the World Trade Organization agreed Friday on a narrow measure aimed at boosting the supplies of Covid-19 vaccines in developing countries, wrapping up a bitter fight over corporate patent rights governing critical medical products during a pandemic. WSJ: The compromise measure on intellectual property rights will make it easier for companies in developing nations such as South Africa to manufacture and export a patented Covid-19 vaccine -- under limited circumstances -- without a consent from the patent holder if they have the approval of their own governments. Meeting for the first time in nearly five years, trade ministers from more than 100 countries also agreed on measures to reduce fisheries subsidies to protect fish stocks and pledged to minimize export restrictions on food items amid shortages triggered by the war in Ukraine. An existing ban on the collection of customs duty on digitally-transmitted products like music and movies was continued, to the relief of U.S. officials who had feared a possible change in the status quo would harm U.S. businesses.

The U.S. government has spent billions of dollars on several rounds of programs to upgrade internet speeds in rural areas over the past decade. Despite those efforts, many residents are still stuck with service that isn't fast enough to do video calls or stream movies -- speeds that most take for granted. From a report: Many communities have been targeted for broadband upgrades at least twice already, but flaws in the programs' design have left residents wanting. The Wall Street Journal analyzed 1.4 million largely rural census blocks that were included in a series of nationwide Federal Communications Commission broadband programs over the past decade. In the latest program, the Rural Digital Opportunity Fund, rolled out in 2020, internet service providers won rights to public funding in about 750,000 census blocks, covering every state except Alaska. The Journal's analysis found that more than half of those census blocks -- areas with a combined population of 5.3 million people -- had been fully or partially covered by at least one previous federal broadband program.

Most U.S. households today have access to internet download speeds of at least 100 megabits per second and upload speeds of 10 Mbps, according to government data. Although the FCC's programs have made progress, some rural Americans still can't get 4 Mbps download and 1 Mbps upload speeds -- the level of service that was the federal standard in 2011. The broadband saga around Heavener, Okla., illustrates some of the problems. Heavener, with a population of around 3,000, is surrounded by cattle pastures and forested hills. Today some buildings on the main streets have good broadband service, but the internet deteriorates outside town, residents say. Much of the area, in Le Flore County, was slated for upgrades under the Rural Digital Opportunity Fund in 2020 -- and some of those areas had already been part of prior programs.

Sony said Tuesday that Nobuyuki Idei, its former chairman and CEO who led the Japanese giant's push into the digital network business, has died of liver failure. He was 84. Kyodo News reports: In addition to enhancing Sony's presence in the digital and communications fields, he also focused on the entertainment business, such as movies, music and game consoles, laying the foundation for its current operations. Idei joined Sony in 1960, becoming president in 1995 and CEO in 1998. He served as both chairman and chief executive from 2000 to 2005. He stepped down as chairman and CEO amid lackluster sales in its appliance business, making headlines for naming Howard Stringer as his successor at a time when it was still rare for a Japanese company to be led by a non-Japanese CEO. Idei also contributed to the advancement of the internet environment in Japan, having been appointed to head the government's IT strategy council in 2000. [...]

Under Idei's tenure as CEO, the conglomerate launched its Vaio-brand personal computers and domestic internet service provider So-net. It also ventured into online-based banking services and the nonlife insurance business. But after its earlier success with sales of bulky CRT televisions, Sony was slow to transition to flat screens and was outpaced amid intense competition with South Korean and other overseas rival manufacturers. Company stocks plunged in 2003 in what was referred to as the "Sony shock," and sluggish growth for much of the following decade led Sony to focus on corporate restructuring initiatives.

Nintendo described the sentencing of a hacker earlier this year as a "unique opportunity" to send a message to all gamers about video game piracy. Axios reports: A newly released transcript of the Feb. 10 sentencing of Gary Bowser provides rare insight, directly from Nintendo, about the company's grievances. Bowser, a Canadian national, pled guilty last year to U.S. government cybercrime charges over his role as a top member of Team Xecuter. The group sold tech that circumvented copyright protections and enabled the Nintendo Switch and other systems to play pirated games. Authorities estimated the piracy cost Nintendo upward of $65 million over nearly a decade and even compelled the company to spend resources releasing a more secure model of the Switch.

"This is a very significant moment for us," Nintendo lawyer Ajay Singh told the court at the time, as he laid out the company's case against piracy and awaited the sentencing. "It's the purchase of video games that sustains Nintendo and the Nintendo ecosystem, and it is the games that make the people smile," Singh said. "It's for that reason that we do all we can to prevent games on Nintendo systems from being stolen." He noted Nintendo's losses from Team Xecuter's piracy and sounded a note of sympathy for smaller non-Nintendo game makers whose works are also pirated. And he wove in a complaint about cheating, which he said Team Xecuter's hacks enabled. Cheating could scare off honest players and upset families: "Parents should not be forced to explain to their children why people cheat and why sometimes games are not fair, just because one person wants an unfair advantage."

At the hearing, U.S. District Judge Robert Lasnik noted that TV and movies glorify hackers as "sticking it to the man," suggesting that "big companies are reaping tremendous profits and it's good for the little guy to have this." "What do you think?" Lasnik asked Nintendo's lawyer at one point. "What else can we do to convince people that there's no glory in this hacking/piracy?" "There would be a large benefit to further education of the public," Singh replied. In brief remarks directly to Lasnik, Bowser said longer prison time wouldn't scare off hackers. "There's so much money to be made from piracy that it's insignificant," he said.

This week saw the premiere of The Orville: New Horizons on Hulu — a third season, now streaming after two seasons on broadcast TV from 2017 to 2019. Seth MacFarlane (the show's creator/star) tells the Hollywood Reporter how that will change the Orville: "The biggest difference for me being on Hulu is that I don't have to tell a story that's exactly 43 minutes long every week because I have to make room for a certain number of commercials.

"That's not how storytelling works — different stories are different lengths, and you start to fall into this cadence where you're shaving scenes down, you're cutting things that don't need to be cut. The best part about being on Hulu is that those moments where you want to linger on an actor's face because it's meaningful and it helps to tell the story? You can do that. You have the time; you can be indulgent in that way."
MacFarlane tells TV Guide the series is now "a dramatic sci-fi show with comedic elements that come about from the character's personalities." And MacFarlane tells ABC News, "I think people can expect a lot more than they think they can." It's not just Covid that's the reason that it's taken so long. It's a pretty massive uptick in scope. We're only doing 10 episodes, as opposed to 12, they're longer episodes. The scope of these episodes is much more film-like. I think people are a little unprepared for what's to come. Disney and Hulu really gave us the resources to do this right, and we've put it all on the screen.
Long-time Slashdot reader Marxist Hacker 42 wrote a journal entry (with some spoilers) about the new season's premiere episode, noting "a very powerful morality tale" that led to a fifth act with "some prime technobabble worthy of the show's Star Trek heritage." (While long-time Slashdot reader antdude calls it "better than the newer Star Trek like Picard," long-time Slashdot reader AmiMoJo calls it "an enjoyable watch, and would have been the highlight of the week if it wasn't for Star Trek: Strange New Worlds overshadowing it."

GameRant argues that The Orville in general "is actually truer to the Star Trek spirit than any of the franchise's contemporary entries."

And the series will also stay true to its Yaphit, reports Yahoo Entertainment: Behind the scenes, The Orville team bid farewell to one longtime crew member during the production of Season 3. Comedian Norm Macdonald has voiced fan favorite character, Lt. Yaphit, since the show's freshman year and completed recording his dialogue prior to his death from leukemia last September.

MacFarlane says that he wasn't aware of Macdonald's illness during their three-season collaboration. "As I finish the episodes, the emotion that I feel more than anything is gratitude that he left us with all this great stuff," he remarks. "I was very moved by the fact that he had continued to record for us and continued to play this part. As sad as it is, I'm happy there's more Norm yet to come through The Orville."

Asked whether Macdonald's passing means that Yaphit's tenure aboard The Orville will also conclude at the end of Season 3, MacFarlane suggests that fans may not have seen the last of the gelatinous lieutenant. "We do have a plan," he teases. "We would not do Yaphit without Norm, but there is a plan for how we are going to handle it if we are lucky enough to do Season 4." (As of now, a fourth season is up in the air as the cast's contracts have expired.)

An anonymous reader quotes a report from TorrentFreak: The ordeal of three people, who edited major movies down to 10 minutes and then uploaded those summaries to YouTube, is not over yet. After being arrested and found guilty in a criminal court last year, they now face action in the civil courts. A total of 13 companies including Toei, Kadokawa, Nikkatsu, and Fuji, say they are entitled to at least $3.9 million in copyright damages. [...] Clear indications of how seriously the anti-piracy groups and media companies are taking this action were on display after the lawsuit was filed last week. A press conference was held in Tokyo with a representative of CODA and three attorneys present to answer questions on the case.

Those present, including CODA director Takero Goto, highlighted that the three defendants committed criminal acts when they uploaded the movie edits and then profited from advertising revenue. The civil action aims to underline those convictions with a strong message that rightsholders will not allow people to free-ride on creators' content without facing significant financial consequences. The overall message is one of deterrence coupled with the reaffirmation of copyright law, Goto said.

"62-year-old Val Kilmer was just 26 when he played Iceman in the 1986 movie Top Gun," remembers long-time Slashdot reader destinyland.

But in 2015 Kilmer lost his voice to throat cancer, remembers Parade: In his 2020 memoir I'm Your Huckleberry, Kilmer joked that he has less of a frog in his throat and more of a "buffalo." He said, "Speaking, once my joy and lifeblood, has become an hourly struggle."

Kilmer has teamed up with Sonantic, a U.K.-based software firm that uses artificial intelligence to copy voices for actors and production studios, to replicate his speech, using old recordings of his voice and existing footage. Kilmer elaborates on the process of finding his voice again through AI in a video posted to YouTube in August 2021. In his new AI-enhanced voice, which does indeed emulate the speech audiences are familiar with, Kilmer says: "People around me struggle to understand me when I'm talking, but despite all that, I still feel I'm the exact same person, still the same creative soul. A soul that dreams ideas and stories constantly.

"But now I can express myself again, I can bring these dreams to you, and show you this part of myself once more. A part that was never truly gone, just hiding away."

Kilmer's health struggles, his childhood tragedies and his ambitious career were recently documented in the acclaimed 2021 feature-length doc Val, now streaming on Amazon Prime Video. Top Gun: Maverick screened at the Cannes Film Festival to rapturous reviews, with thunderous fanfare including an air show. Though reports say audiences gave the action picture (currently sitting at a 97% on Rotten Tomatoes) a five-minute standing ovation, with audible responses throughout the picture, mainly at the groundbreaking stunt work, it's also been reported an audience-favorite scene is the "overwhelming" emotional response to the reunion of Tom Cruise and Kilmer.

Netflix lost 200,000 subscribers last quarter and potentially two million this current period, according to a note to shareholders from last month. Now, new research highlights that the number of long-standing subscribers canceling Netflix rose precipitously in the past few years. 9to5Mac reports: The data provided by the research firm Antenna to The Information shows that people who had been subscribers for more than three years accounted for just 5% of total cancelations at the start of 2022, while it hit 13% in the first quarter of 2022: "Newbie subscribers, meantime, accounted for only 60% of cancellations in the quarter, down from 64% in the fourth quarter. Also in the first quarter, overall cancellations rose to 3.6 million people, compared with around 2.5 million in each of the preceding five quarters. Antenna says it draws its data from a panel of 5 million Americans who anonymously contribute their streaming subscriptions."

While Netflix is losing ground, the streaming market as a whole is gaining more subscribers, and Antenna's data suggest a connection between the price increase and Netflix's subscriber losses: "'Consumers vote with their wallets on a monthly basis, and now there are just more viable candidates on the ballot,' said Brendan Brady, media and entertainment lead at Antenna. Also, since many entertainment companies, like NBCUniversal and Disney, have pulled their shows off Netflix and put them on their own services, Netflix has had to rely more on its originals, which have been hit or miss, he said."

Japanese conglomerate Sony said it is well-positioned to play a leading role in the metaverse, or immersive virtual worlds, which commentators speculate will massively disrupt industries and establish new powerhouses. From a report: "The metaverse is at the same time a social space and live network space where games, music, movies and anime intersect," Chief Executive Kenichiro Yoshida said at a strategy briefing on Wednesday, pointing to the use of free-to-play battle royale title Fortnite from Epic Games as an online social space. Sony's game, music and movie units contributed two-thirds of operating income in the year ended March, underscoring the group's transformation from consumer electronics maker into a metaverse-ready entertainment juggernaut under Yoshida and predecessor Kazuo Hirai. The firm is a gaming gatekeeper with its PlayStation 5 console, however observers point to the risk presented by the growth of cross-platform, cloud-based titles and their potential to reduce the influence of proprietary platforms. Sony has been adjusting its approach, enabling cross-play in Fortnite in 2018.

Disney added 7.9 million new subscribers to its Disney Plus streaming service during the first three months of 2022, the company announced (PDF) in its Q2 earnings report on Wednesday. The Verge reports: That brings the total to around 87.6 million worldwide, excluding the 50.1 million people subscribed to Disney Plus Hotstar internationally. In the US and Canada alone, Disney Plus now has 7.1 million more subscribers than it did a year ago, with 44.4 million. The company also said that the number of subscribers for all of its streaming offerings -- including Hulu and ESPN Plus -- had grown to over 205 million, an increase from the 196.4 million it reported in January.

Disney also reports that it's earning more per Disney Plus subscriber than it had been previously, at least in the US. Where its average monthly revenue per paid subscriber used to be $6.01, it's now sitting at $6.32. Disney says this is thanks to "an increase in retail pricing and a lower mix of wholesale subscribers." Despite this, Disney Plus is actually losing the company money at a greater clip than it was before. Disney says this is thanks to higher costs for production, advertising, and technology. Those costs seem unlikely to go down, and raising prices, like Netflix did, could cut off its subscriber growth. All that put together makes it obvious why Disney is looking at creating an ad-supported tier sooner rather than later.

echo123 writes: Twenty Internet providers, including AT&T, Comcast and Verizon, have agreed to provide high-speed service at a steep discount to low-income consumers, the White House announced Monday, significantly expanding broadband access for millions of Americans. The plan, a feature of the $1 trillion infrastructure package passed by Congress last year, would cost qualifying households no more than $30 per month. The discounts plus existing federal Internet subsidies mean the government will cover the full cost of connectivity if consumers sign on with one of the 20 participating companies. The White House estimates the program will cover 48 million households, or 40 percent of the country.

The 100-megabit-per-second service is fast enough for a family to work from home, complete schoolwork, browse the Internet and stream high-definition movies and TV shows, the White House said. Households can qualify for the subsidies, called the Affordable Connectivity Program, if their income is at or below 200 percent of federal poverty guidelines, a member of the household participates in certain federal anti-poverty initiatives -- including Medicaid, Supplemental Nutrition Assistance Program, federal housing assistance, Pell Grant tuition assistance, or free or reduced-price school meals -- or if the household already qualifies for an Internet provider's low-income service program. Consumers can check whether they qualify for discounted service at getinternet.gov.

Chinese researchers show off a swarm of drones collectively navigating a dense forest they've never encountered. TechCrunch reports: Researchers at Zheijang University in Hangzhou have succeeded, however, with a 10-strong drone swarm smart enough to fly autonomously through a dense, unfamiliar forest, but small and light enough that each one can easily fit in the palm of your hand. It's a big step toward using swarms like this for things like aerial surveying and disaster response.

Based on an off-the-shelf ultra-compact drone design, the team built a trajectory planner for the group that relies entirely on data from the onboard sensors of the swarm, which they process locally and share with each other. The drones can balance or be directed to pursue various goals, such as maintaining a certain distance from obstacles or each other, or minimizing the total flight time between two points, and so on.

The drones can also, worryingly, be given a task like "follow this human." We've all seen enough movies to know this is how it starts ... but of course it could be useful in rescue or combat circumstances as well. A part of their navigation involves mapping the world around them, of course, and the paper includes some very cool-looking 3D representations of the environments the swarm was sent through. Zhou et alThe study is published in the most recent issue of the journal Science Robotics, which you can read here, along with several videos showing off the drones in action.

An anonymous reader writes: Sony struck a major blow against censorship after defying a Chinese government demand to delete the Statue Of Liberty from "Spiderman: No Way Home" ahead of its release. The bombshell rejection was revealed by "multiple sources," per a recent article by Puck. According to the piece, Chinese regulators had asked if the Japanese entertainment giant could "delete the Statue of Liberty from the ending of the film." Sony unsurprisingly declined the demand given the prominence of Lady Liberty in the climax in which the three spidermen swing around the iconic symbol of freedom while battling supervillains, Puck reported. Undaunted, China then inquired if the monument could be "minimized," according to the report. Specifically, they'd wondered "if Sony could cut a few of the more patriotic shots of [Tom] Holland standing atop the crown, or dull the lighting so that Lady Liberty's visage wasn't so front-and-center," per Puck.

Andy Maxwell, reporting for TorrentFreak: In response to Russia's invasion of Ukraine, several Hollywood studios announced the immediate suspension of new releases in Russia. Unexpectedly, some Russian theaters are still able to show movies such as The Batman on the big screen but this isn't down to the studios. The movies are sourced from illegal torrent sites and few seem afraid to admit it.

In 1972, photo prints that developed before your eyes were "downright magical," argues Fast Company — "and still meaningful today."

A new article at Fast Company points out that while Polaroid went bankrupt twice, and stopped making cameras in 2007, "Then an unexpected thing happened: It turned out that even Polaroid couldn't kill Polaroid." Even as instant photography's eulogies were being written, a band of enthusiasts known as The Impossible Project bought the last Polaroid factory that hadn't been hastily dismantled and started producing film packs again. The task required reformulating its own chemistry from scratch, and it was years until the results reached the vicinity of original Polaroid quality. Fans were very patient.

Eventually, the Impossible Project and Polaroid came under the same ownership, adopted Polaroid as the unified brand, and started making instant cameras again. The new models start at $100 and look a lot like that 1977 OneStep, even when they're adorably miniaturized. It's almost as if Polaroid's years in limbo were a bad dream.... Polaroid and several smaller companies refurbish old models, replacing worn parts and otherwise returning them to optimum performance. Repairing an SX-70 generally involves permanently removing its leather, but replacement skins are available in an array of styles, from the traditional to the psychedelic.

Increasingly, yesteryear's Polaroid cameras are springing back to life in surprising ways. Wisconsin-based Retrospekt not only revives old models, but also encases antique innards in new plastic shells, allowing it to sell branding crossovers such as Malibu Barbie and Pepsi-themed Polaroid cameras. Hong Kong's Mint offers a camera called the SLR670 that's really a restored SX-70 accompanied by a gizmo that plugs into the flash port to allow for manual settings. And Open SX-70 is a project to smarten up the SX-70 by replacing its 1970s circuit board with a tiny Arduino computer.
Other things I learned from the article:

• "Each film pack contained its own battery, so the camera would never run out of juice at an inopportune moment."
• Kodak was forced out of the instant photography market in 1986 by a Polaroid patent infringement suit in which Polaroid won $925 million in damages.
• Edwin Land's "final gambit to revolutionize photography" was 1977's wildly unpopular Polavision instant home movies.
• There's a 1974 ad for the cameras narrated by Laurence Olivier.

Bill Gates shares a statistic about the COVID-19 pandemic. "If we'd been able to stop it within 100 days, we would've saved over 98% of the lives." "Viruses spread exponentially, and so if you get in there when the infection rate is fairly small, you can actually stop the spread."
In a new TED talk, Gates argues that we did learn a lot from this pandemic — enough to build a prevention system for next time. "Covid 19 can be the last pandemic if we take the right steps." But the answer isn't vaccines. "We also need vaccines, but we want to stop the outbreak before we have to do a global vaccination campaign." And then Gates points out that currently it could take months to get resources to a low-income country experiencing an outbreak.

Read on for Slashdot's report on Gates' proposed solution — and how he feels about his own prominence in anti-vaccine misinformation.

Sonic the Hedgehog 2 "shattered early box office projections," reports the Los Angeles Times, bringing in $71 million in its opening weekend. That makes it the biggest first-weekend for a Paramount movie in at least four years — more than Terminator: Dark Fate ($29 million) and Mission: Impossible — Fallout ($61.2 million).

You can watch its trailer here — but here's how the Times summarizes its plot. "The titular furry blue protagonist (voiced by Ben Schwartz) faces an equally fluffy new threat, Knuckles the Echidna (Idris Elba), who has joined Dr. Robotnik's (Jim Carrey) ongoing quest conquer Earth."

Engadget calls this the best opening weekend ever for a videogame movie. The previous record-holder was Sonic the Hedgehog 1, a movie which Paramount+ now "plans to expand into a cinematic universe" — or at least, expand into a spin-off TV series. Before the pandemic shut down theaters throughout the U.S, and other parts of the world, the first Sonic film went on to gross $319 million globally. Sonic the Hedgehog 2 is currently on track to beat those earnings having grossed approximately $141 million globally.

As with the first movie, timing appears to have been a significant factor in Sonic 2's early success. Its main competitor at the box office was Sony's much-maligned Morbius, which saw a drastic 74 percent drop in ticket sales from its opening weekend last Friday. It only earned $10.2 million in additional domestic revenue after a $39 million debut.

Plex has an audacious plan to become the daily go-to app for everyone's streaming needs: The media center app rolled out new universal search, watchlist and discovery features Tuesday that are designed to help people find and keep track of all of the shows and movies available across a growing universe of streaming services. From a report: "The app dance, going from app to app to find something to watch, just doesn't make any sense," said Plex's senior product and design director, Jason Williams. Instead, Williams hopes that people will just open Plex to browse everything that's new on various streaming services, and then follow deep links to directly launch playback on Netflix, Hulu or anywhere else. "You're going to open up Plex every day," Williams said. "It's going to be your trusted source." Universal search and discovery have long been a holy grail for the streaming industry, but efforts by platform operators to integrate these types of features directly into the smart TV home screen have been held back by industry power struggles. Plex hopes it can avert some of those issues, and is betting on the ingenuity of its power users to help out along the way. In addition to universal search and a universal watchlist across multiple streaming services as well as personal media, Plex is also launching a dedicated discovery section in its app that highlights new titles on Netflix and other services.

An anonymous reader quotes a report from Mashable: YouTube recently added a bunch more movies and TV shows for its U.S. users to stream for free, provided you're willing to sit through some ads. Unfortunately, actually finding them all isn't easy. While YouTube has offered free, ad-supported movies before, this is the first time it has branched out to TV shows. Announced last week, YouTube's updated catalogue of free content now includes over 1,500 movies and 100 television shows, such as 10 Things I Hate About You, The Sandlot, Robin Hood: Men In Tights, Legally Blonde, two seasons of Kitchen Nightmares, and a decent number of more obscure titles such as 1970's Western The Return of a Man Called Horse.

However, YouTube has also made browsing its free titles much more annoying than it needed to be. The platform won't just show you all its free titles and let you scroll through them to find your next binge watch. It certainly won't let you filter them, so you can't narrow your search to all of YouTube's free action movies, or free romantic comedies. Rather, YouTube's algorithm selects a few hundred ad-supported titles to show you in its "free to watch movies" section, hiding the rest. Mashable only counted 360 ad-supported films available in this category, despite YouTube stating it offers over four times that number. Mashable also counted 100 free TV shows.

YouTube noted that viewers can use its search bar to look for titles, as well as browse through content in genre-themed sections which contain a mix of free, hire, and purchasable content. However there's no section only listing all of YouTube's free films or television shows, giving users no option but to trust that YouTube knows best what they should watch. [...] It seems like a strange lack of functionality, but then again, YouTube's bread and butter is in user-uploaded content rather than blockbuster films. "YouTube is personalized to users, so instead of seeing the entire library at once in the links, users see personalized selections for them," a YouTube spokesperson told Mashable. "Once users begin watching or when new titles cycle in or out, the makeup of the selection in the shelves will change."

Dune won six Academy Awards tonight — the most of any movie — at this year's Oscar's ceremony, taking home Oscars for its cinematography, visual effects, film editing, original score, production design, and "achievement in sound."

But the movie's Oscar-winning crew were surprised there was no Oscar nomination for the film's director, Denis Villeneuve, reports IndieWire: "I was very confused when Denis was not nominated for directing. It's as if the film directed itself and all of these craft categories magically did great work," sound designer/supervising sound editor Theo Green said. "Seeing the sweep that Dune is having tonight makes me very proud for Denis."

Green and other below-the-line winners painted a production picture where Villeneuve orchestrated a kind of cross-department collaboration that allowed each craftsperson's work to shine and work in concert with every other piece. Re-recording mixer Ron Bartlett said it all started with Villeneuve's deep study of the book. "It's better than the sum of its parts," Fraser said. "We are the culmination of Denis Villeneuve's combined group effort to make a movie, and that's what I'm most proud of." Several winners also called out editor Joe Walker as a key piece of the creation of Dune.
Besides the six Oscars it won, Dune had also been nominated for four other awards, including Best Picture.

Tonight's ceremony featured a tribute to 60 years of James Bond movies — and the franchise's most recent film also won the "Best Song" Oscar (for the song "No Time to Die" by Billie Eilish). This marks the third consecutive time that a James Bond movie's theme song has gone on to win the "Best Song" award.

And Apple TV+ became the first streaming service to ever win the prestigious Best Picture award for their movie CODA. NBC News calls this "a major moment for a film industry that has been dramatically transformed by the rise of direct-to-consumer streaming platforms and the growing popularity of at-home entertainment." (The film also won Oscars for best adapted screenplay and for best supporting actor.) In the days before the Oscars telecast, the best picture race came to be seen as a proxy battle between Apple and Netflix, the streaming giant that has been angling for Hollywood's marquee prize for at least the last half-decade, spending heavily on splashy promotional campaigns. Netflix was a double best picture contender this year, recognized for Jane Campion's haunting Western The Power of the Dog and Adam McKay's doomsday satire Don't Look Up.