Sci-Fi

Apple Is Developing a TV Show Based On Isaac Asimov's Foundation Series (deadline.com) 141

An anonymous reader quotes a report from Deadline: In a competitive situation, Apple has nabbed a TV series adaptation of Foundation, the seminal Isaac Asimov science fiction novel trilogy. The project, from Skydance Television, has been put in development for straight-to-series consideration. Deadline revealed last June that Skydance had made a deal with the Asimov estate and that David S. Goyer and Josh Friedman were cracking the code on a sprawling series based on the books that informed Star Wars and many other sci-fi films and TV series. Goyer and Friedman will be executive producers and showrunners. Skydance's David Ellison, Dana Goldberg and Marcy Ross also will executive produce.

Originally published as a short story series in Astounding Magazine in 1942, Asimov's Foundation is the complex saga of humans scattered on planets throughout the galaxy, all living under the rule of the Galactic Empire. The protagonist is a psycho-historian who has an ability to read the future and foresees the empire's imminent collapse. He sets out to save the knowledge of mankind from being wiped out. Even the Game of Thrones' creative team would marvel at the number of empires that rise and fall in Foundation. Asimov's trilogy has been tried numerous times as a feature film at Fox, Warner Bros (with Bob Shaye and Michael Lynne, who greenlit The Lord of the Rings), and then at Sony with Independence Day director Roland Emmerich. Many top sci-fi writers have done scripts and found it daunting to constrict the sprawling saga to a feature film format. Most recently, HBO tried developing a series with Interstellar co-writer and Westworld exec producer Jonathan Nolan, but a script was never ordered.

DRM

Ask Slashdot: What Would Happen If Everything On the Internet Was DRM Protected? 190

dryriver writes: The whole Digital Rights Management (DRM) train started with music and films, spread horribly to computer and console games (Steam, Origin), turned a lot of computer software you could once buy-and-use into DRM-locked Software As A Service or Cloud Computing products (Adobe, Autodesk, MS Office 365 for example) that are impossible to use without an active Internet connection and account registration on a cloud service somewhere. Recently the World Wide Web Consortium (W3C) appears to have paved the way for DRM to find its way into the world of Internet content in various forms as well. Here's the question: What would happen to the Internet as we know it if just about everything on a website -- text, images, audio, video, scripts, games, PDF documents, downloadable files and data, you name it -- had DRM protection and DRM usage-limitations hooked into it by default?

Imagine trying to save a JPEG image you see on a website to your harddisk, and not only does every single one of your web browsers refuse the request, but your OS's screen-capture function won't let you take a snapshot of that JPEG image either. Imagine trying to copy-and-paste some text from a news article somewhere into a Slashdot submission box, and having browser DRM tell you 'Sorry! The author, copyright holder or publisher of this text does not allow it to be quoted or re-published anywhere other than where it was originally published!'. And then there is the (micro-)payments aspect of DRM. What if the DRM-fest that the future Internet may become 5 to 10 years from now requires you to make payments to a copyright holder for quoting, excerpting or re-publishing anything of theirs on your own webpage? Lets say for example that you found some cool behind-the-scenes-video of how Spiderman 8 was filmed, and you want to put that on your Internet blog. Except that this video is DRM'd, and requires you to pay 0.1 Cent each time someone watches the video on your blog. Or you want to use a short excerpt from a new scifi book on your blog, and the same thing happens -- you need to pay to re-publish even 4 paragraphs of the book. What then?
Movies

The 50th Anniversary of Stanley Kubrick's "2001: A Space Odyssey" 206

Today marks the 50th anniversary of the original release of Stanley Kubrick's "2001: A Space Odyssey," a seminal film in motion picture history and one that has awed millions over the years. Kubrick's title has often been credited with paving the way for science-fiction films that took a realistic approach to depicting the future. Even as "2001" has grown to become one of the most iconic movies of all time, the reception it received when it originally premiered wasn't good. An excerpt: The film's previews were an unmitigated disaster. Its story line encompassed an exceptional temporal sweep, starting with the initial contact between pre-human ape-men and an omnipotent alien civilization and then vaulting forward to later encounters between Homo sapiens and the elusive aliens, represented throughout by the film's iconic metallic-black monolith. Although featuring visual effects of unprecedented realism and power, Kubrick's panoramic journey into space and time made few concessions to viewer understanding. The film was essentially a nonverbal experience. Its first words came only a good half-hour in.

Audience walkouts numbered well over 200 at the New York premiere on April 3, 1968, and the next day's reviews were almost uniformly negative. Writing in the Village Voice, Andrew Sarris called the movie "a thoroughly uninteresting failure and the most damning demonstration yet of Stanley Kubrick's inability to tell a story coherently and with a consistent point of view." And yet that afternoon, a long line -- comprised predominantly of younger people -- extended down Broadway, awaiting the first matinee.
The Cannes Film Festival will celebrate the 50th anniversary of "2001: A Space Odyssey" with the world premiere of an unrestored 70mm print, introduced by Christopher Nolan. The event is set for May 12 as part of the Cannes Classics program. The screening will also be attended by members of Kubrick's family, including his daughter Katharina Kubrick and his longtime producing partner and brother-in-law Jan Harlan.

Further reading: Why 2001: A Space Odyssey's mystery endures, 50 years on (CNET); 50 years of 2001: A Space Odyssey -- how Kubrick's sci-fi 'changed the very form of cinema' (The Guardian); The story of a voice: HAL in '2001' wasn't always so eerily calm (The New York Times); and The most intriguing theories about "2001: A Space Odyssey" (io9); and Behind the scenes of 2001: A Space Odyssey, the strangest blockbuster in Hollywood history (Vanity Fair).
Sci-Fi

Amazon Plans Blockbuster TV Series Based On Chinese Sci-Fi Trilogy 'The Three-Body Problem' (medium.com) 158

hackingbear writes from a report: Amazon is reportedly likely to earmark $1 billion for a television series (Warning: source paywalled, alternative source) based on the ultra-popular Chinese science fiction trilogy The Three Body Problem. The American video subscription service will likely acquire the rights to the Yugo-winning, extremely popular trilogy of novels written by Liu Cixin and produce three seasons of episodes. The rights to the trilogy are currently owned by Lin Qi, the chairman of Youzu Interactive, a Chinese developer and publisher that typically focuses on online and mobile games.
Sci-Fi

Ask Slashdot: Is Beaming Down In Star Trek a Death Sentence? 593

Artem Tashkinov writes: Some time ago, Ars Technica ran a monumental article on beaming of consciousness in Star Trek and its implications, and more importantly, whether it's plausible to achieve that without killing a person in the process.

It seems possible in the Star Trek universe. However, currently physicists find the idea absurd and unreal because there's no way you can transport matter and its quantum state without first destroying it and then recreating it perfectly, due to Heisenberg's Uncertainty Principle. The biggest conundrum of all is the fact that pretty much everyone understands that consciousness is a physical state of the brain, which features continuity as its primary principle; yet it surely seems like copying the said state produces a new person altogether, which brings up the problem of consciousness becoming local to one's skull and inseparable from gray matter. This idea sounds a bit unscientific because it introduces the notion that there's something about our brain which cannot be described in terms of physics, almost like soul.

This also brings another very difficult question: how do we know if we are the same person when we wake up in the morning or after we were put under during general anesthesia? What are your thoughts on the topic?
Sci-Fi

UFO Disclosure Group Releases Newest Navy F/A-18 Super Hornet UFO Encounter Video (cnn.com) 242

alaskana98 writes: CNN and other media outlets are reporting that the "To The Stars Academy of Arts and Science" group has released the third in a series of videos purportedly showing an encounter between Navy F/A-18 Super Hornet pilots and an object moving at seemingly impossible speeds off the East Coast of the United States. The video was captured by the Raytheon: Advanced Targeting Forward-Looking Infrared (ATFLIR) pod and includes audio of the pilots excitedly observing this object from far above as it zooms over the ocean surface. The ATFLIR system has trouble getting a lock on the object at first but then gets a lock on it eventually demonstrating that whatever this this was it wasn't a figment of the pilots imaginations. If the video is authentic there are indeed some strange things flying in our skies. The video can be viewed here.
Sci-Fi

The Hitchhikers Guide To the Galaxy Returns With the Original Cast (arstechnica.com) 84

Jonathan M. Gitlin reports via Ars Technica: The Hitchhiker's Guide to the Galaxy deserves a special place in the geek pantheon. It's the story of hapless BBC radio editor Arthur Dent, his best friend Ford Prefect, and the adventures that result when Prefect saves Dent when the Earth is unexpectedly destroyed to make way for a galactic bypass. Written by the late, great Douglas Adams, THGTTG first appeared as a radio series in the UK back in 1978. On Thursday -- exactly 40 years to the day from that first broadcast -- it made its return home with the start of Hexagonal Phase, a radio dramatization of the sixth and final book of an increasingly misnamed trilogy.

Although Adams died suddenly and unexpectedly in 2001, the universe he gave birth to lived on. Beginning in 2004, the original radio cast was reunited to dramatize the third, fourth, and fifth books. In 2005, a film adaptation was released, and then in 2009 came a final novel in the "trilogy," And Another Thing..., written by the novelist Eoin Colfer. It's this story that the BBC is now dramatizing, again using many of the original cast, along with newcomers like Jim Broadbent, Lenny Henry, and Stephen Hawking. Yes, that Stephen Hawking.

Star Wars Prequels

'Iron Man' Director Jon Favreau Will Write And Produce a Live-Action 'Star Wars' TV Series For Disney's New Streaming Service (cnet.com) 90

From a report: Jon Favreau is going from "Avengers" blockbusters to a galaxy far, far away. The director, actor, producer and writer will take on a Star Wars starring role by helming a series destined for Disney's new streaming video service. While Favreau is multi-talented, his focus will be on producing and writing the unnamed show. Favreau is a bonafide Star Wars fan who voiced a character in the animated "Star Wars: The Clone Wars" and also has appearance in the upcoming "Solo: A Star Wars Story."In a statement, Favreau said, "If you told me at 11 years old that I would be getting to tell stories in the Star Wars universe, I wouldn't have believed you. I can't wait to embark upon this exciting adventure."
Movies

The Oscar-Winning Special Effects of Blade Runner 2049 (bbc.com) 107

On Sunday, 'Blade Runner 2049' won the Oscar for the movie with the best visual effects. BBC spoke to Richard Hoover, the visual effects supervisor at Framestore which was one of the companies responsible for the movie's special effects.

Further reading: How 'Blade Runner 2049' VFX Supervisor John Nelson Brought Rachael & Pic's Holograms To Life (Deadline); Behind the breathtaking visual effects of 'Blade Runner 2049' (Digital Trends); How Blade Runner 2049's VFX team made K's hologram girlfriend (Wired).
Books

HBO's Fahrenheit 451 Trailer Teases Dystopian World Filled With Burning 'Chaos' (hollywoodreporter.com) 171

HBO has released the first trailer of its film adaptation of Ray Bradbury's best-selling 1953 dystopian tale, Fahrenheit 451, which depicts a time period where history is outlawed and "firemen" burn books. The Hollywood Reporter reports: In the Ramin Bahrani-directed film, Michael B. Jordan stars as Guy Montag, a fireman who comes to question his role in enforcing the state's censorship laws, and in so doing finds himself at odds with his "mentor," Beatty (Michael Shannon). "By the time you guys grow up, there won't be one book left," Jordan is shown telling a group of students. Throughout the trailer, a reel of destruction is shown as Beatty's voiceover warns that "a little knowledge is a dangerous thing." "We are not born equal, so we must be made equal by the fire," Beatty explains. Jordan will also serve as the film's executive producer. Sofia Boutella, Martin Donovan, Laura Harrier, Keir Dullea, Jane Moffat and Grace Lynn Kung also star.
Sci-Fi

Amazon Is Developing a TV Series Based On Iain M. Banks' Sci-Fi Novel 'Consider Phlebas' (hollywoodreporter.com) 104

leathered writes: Jeff Bezos today announced that Amazon Studios has picked up the rights to adapt the late Iain M. Bank's acclaimed Culture novels to the small screen, beginning with the first in the series, Consider Phlebas. This comes after nearly three decades of attempts to bring Banks' utopian, post-scarcity society to film or television. A huge fan of the Culture series is Elon Musk, whose SpaceX drone ships are named after Culture space vessels. Here's how Amazon describes Consider Phlebas: "a kinetic, action-packed adventure on a huge canvas. The book draws upon the extraordinary world and mythology Banks created in the Culture, in which a highly advanced and progressive society ends up at war with the Idirans, a deeply religious, warlike race intent on dominating the entire galaxy. The story centers on Horza, a rogue agent tasked by the Idirans with the impossible mission of recovering a missing Culture 'Mind,' an artificial intelligence many thousands of times smarter than any human -- something that could hold the key to wiping out the Culture altogether. What unfolds, with Banks' trademark irreverent humor, ultimately asks the poignant question of how we can use technology to preserve our humanity, not surrender it."
Sci-Fi

Marvel Cinematic Universe Has a CGI Problem (screenrant.com) 398

Corey Hutchinson, writing for ScreenRant: The MCU may be the biggest thing in Hollywood these days, but there's no denying that its overuse of CGI is becoming more and more noticeable. Don't get us wrong; for the most part, the MCU's CGI has been great, even spectacular at times. Even at its worst, it's nowhere near the bottom of the pile in terms of poor special effects in superhero movies. And no single MCU entry has come anywhere close to the awfulness that is Justice League. But when a superhero franchise is pulling in this much money and getting consistently glowing reviews, the bar has to be set high, and several of the MCU's latest offerings just aren't clearing it. It's worth noting that the MCU's CGI shortcomings are a relatively recent thing. There's very little to complain about when it comes to the special effects behind their Phase One movies. They all hold up surprising well, in fact, and the same goes for the vast majority of Marvel's Phase Two films. There's a few dicey moments in Avengers: Age of Ultron, but it wasn't really until Captain America: Civil War kicked off Phase Three that any negative attention was paid to the MCU's effects work.

Take a moment to rewatch the second Black Panther clip that was released to the public a few weeks ago. Specifically, hone in on the 45 second mark, where you see Nakia shooting two guys, the second of which is very obviously computer-generated. Why the hell would they even bother to CGI that, you ask?

Sci-Fi

Would You Fear Alien Life or Welcome It? (cnet.com) 226

If you've ever watched a science fiction movie about aliens, you'll know that humans tend to freak out and destroy everything when faced with incontrovertible proof of the existence of alien life. But a new analysis from Arizona State University psychology professor Michael Varnum and his colleagues suggests that humans might actually remain pretty calm and collected when that big news breaks. CNET reports: Varnum makes this conclusion based on an analysis of newspaper articles covering past potential discoveries of extraterrestrial life. Specifically, he and his colleagues looked at articles about the weird dimming of so-called "Tabby's Star," Earth-like planets around the star Trappist-1, and the potential discovery of Martian microbe fossils from 1996. They found language in the stories demonstrated much more positive emotion than fear or other negative emotions. In a second study, the team also surveyed over 500 people, asking them to guess how they and humanity would react to an announcement that alien microbial life had been discovered. In the case of both their own reaction and everyone else's, the participants hypothesized responses that were more positive than negative. The research was published last month in Frontiers in Psychology.
Sci-Fi

Firefly Canon To Expand With Series of Original Books (ew.com) 106

More Firefly stories are on the way. Entertainment Weekly: EW can exclusively report that Titan Books and Twentieth Century Fox Consumer Products have teamed up to publish an original range of new fiction tying in to Joss Whedon's beloved but short-lived TV series Firefly. The books will be official titles within the Firefly canon, with Whedon serving as consulting editor. The first book is due in the fall. Starring Nathan Fillion, Gina Torres, and Alan Tudyk, the western-tinged space opera ran from 2002 to 2003 on Fox. Exploring weighty moral and ethical questions, Firefly centered on a collection of characters living on the fringes of society, joined together in the pioneer culture of their star system in the wake of a civil war. It lasted just 14 episodes, but in the decade and a half since it went off the air has amassed a significant cult following.
Sci-Fi

Slashdot Asks: What Are Some Sci-Fi Books, Movies, and TV Shows You're Looking Forward To? 364

Even as Hollywood studios report fewer footfalls in theaters, the last few years have arguably been impressive if you're a sci-fi admirer. Last year, we finally got to watch the Blade Runner 2049, and the The Last Jedi and Logan also found plenty of backers. In 2016, Arrival was a home run for many. Star Trek: Discovery, and Stranger Things TV shows continue to receive positive feedback from critics, and the The X-Files is also quickly winning its loyal fans back.

"Artemis" by Andy Weir and "New York 2140" by Kim Stanley have found their ways among best selling books. "Borne" by Jeff VanderMeer, and "Walkaway" by BoingBoing's Cory Doctorow have also been widely loved by the readers.

On that note, what are some movies, TV shows, and books on sci-fi that you are waiting to explore in the next two to three years?
Movies

'How We Made Starship Troopers' (theguardian.com) 589

The Guardian quotes Paul Verhoeven, the director of Starship Troopers: Robert Heinlein's original 1959 science-fiction novel was militaristic, if not fascistic. So I decided to make a movie about fascists who aren't aware of their fascism... I was looking for the prototype of blond, white and arrogant, and Casper Van Dien was so close to the images I remembered from Leni Riefenstahl's films. I borrowed from Triumph of the Will in the parody propaganda reel that opens the film, too. I was using Riefenstahl to point out, or so I thought, that these heroes and heroines were straight out of Nazi propaganda...

With a title like Starship Troopers, people were expecting a new Star Wars. They got that, but not really: it stuck in your throat. It said: "Here are your heroes and your heroines, but by the way -- they're fascists."

The actors weren't even clear on what the giant arachnids would look like, since their "Bug" battles were filmed entirely with green screens, remembers one of the movie's stars, Denise Richards. Instead Verhoeven "would be there jumping up and down with a broom in the air so we would have a sense of how big they were."

Verhoeven told one interviewer that he never actually read Robert Heinlein's original book. "I stopped after two chapters because it was so boring. It is really quite a bad book."
Television

Is There a Warning in 'Philip K. Dick's Electric Dreams'? (gizmodo.com) 51

An anonymous reader quotes io9: That signature feeling feeling of queasy, slow-burning tumult comes through in Philip K. Dick's Electric Dreams, which originally aired in the UK last September, but is making its American premiere on Amazon Prime this Friday, January 12. The breadth of interpretations across the show's 10 episodes is the real draw for Electric Dreams. One episode will be set in something meant to recognizably stand in for the real world while others are trippy explorations into realities that could never exist. Unfortunately, Electric Dreams' episodes don't just vary in aesthetics; they vary wildly in quality, too...

When Electric Dreams fires on all cylinders, it energizes these short story adaptations by drilling down into the minutiae of how science fiction concepts would alter our everyday existences in real life. The series' common theme is how scientific and technological advancement shears the soul away from our bodies...Electric Dreams' most important task is to show both new viewers and conversant fans why Dick's oeuvre matters, which is hard in a world where we're eerily close to some of his fictional realities...

We're so busy trying to ground ourselves amid constant change that it can be hard to pull out and see society's sweeping shifts. In the '50s and beyond, Dick's science fiction writing mapped out the darker corners of where hi-speed techno-fetishes could take us. For all its unevenness, Electric Dreams adapts his work to show us where we are, relative to his prognostications. If you feel weirded out while watching, that just means the show is doing its job.

Books

In a Declining Comics Market, DC Beats Marvel (hollywoodreporter.com) 159

An anonymous reader quotes the Hollywood Reporter: Looking at the most-ordered comic books in the North American comic market, DC Entertainment had a particularly strong year, with seven of the top 10 issues of the year being published by the home of Superman, Batman and the Justice League... just three years ago, not one DC title made it to the list, with nine titles coming from Marvel alone. (By comparison, Marvel takes just three places this year, with one of those due to its inclusion in a subscription mystery box service)... Perhaps surprisingly, the big winner of 2017 looking at the top 10 list is DC's crossover between its DC Universe and Watchmen properties. The first issue of the Doomsday Clock series charted third â" and could end up higher on the final list for the year, depending on re-order numbers in December â" but all four issues of the prologue storyline "The Button," from summer issues of Batman and The Flash, also made it into the top 10.

it's worth noting that, across the board, order numbers for comics in the North American market fell 10 percent compared with last year. The market is shrinking, unless something turns it around soon... One last thing to note about the year's top 10, and also the comic market as it currently exists in general: It's probably time to stop pretending that mass media projects significantly impact comic book orders. In a year with Justice League, Wonder Woman, Guardians of the Galaxy Vol. 2, Logan, Thor: Ragnarok and Spider-Man: Homecoming in theaters, there isn't a Justice League, Wonder Woman, Guardians of the Galaxy, Wolverine, Thor or Spider-Man title in the top 10. Indeed, Marvel has just canceled the Guardians of the Galaxy comic book series.

Mavel had the most-ordered comic book of the year -- Marvel Legacy No. 1 -- though the article notes that all of its numbers are inevitably skewed by "ordering incentives put in place by publishers that require that a certain number of copies are ordered by stores in order to achieve a specific discount."
Star Wars Prequels

Ask Slashdot: Thoughts On Star Wars: The Last Jedi One Week Later? [Spoilers] (independent.co.uk) 300

AmiMoJo writes: After what feels like an eternity of waiting, Star Wars: The Last Jedi has finally reached cinemas, scoring a whopping $450 million opening weekend worldwide. While reviews have been unanimously positive for Rian Johnson's blockbuster, there's been huge backlash online, many fans expressing disappointment. There's no better place to see the great divide between critics and fans than on Rotten Tomatoes, where the critical consensus scores 93% while audiences score The Last Jedi 56%. The Last Jedi is apparently worse than Phantom Menace, Attack of the Clones, and Revenge of the Sith. Conversely, critics say The Last Jedi equals A New Hope and The Force Awakens, only falling behind The Empire Strikes Back.

One problem with Rotten Tomatoes' audience score, along with IMDB, is there's no vetting process. Instead, we should look to the movie's CinemaScore, an America-based exit poll system that scientifically works out an audience score. The Force Awakens earned an A score, with 90% of all respondents being positive, the average score being 4.5. According to Deadline, non-Disney sources are saying the backlash has been primarily online "trolling." The publication also points to one Facebook page titled "Down With Disney's Treatment of Franchises and Fanboys" who are claiming to use bot accounts to target the film's score.
SPOILERS: With Star Wars: The Last Jedi being released one week ago, we ask you to share your thoughts of the film now that you've had some time to watch and digest it. How did you like Daisy Ridley's performance? Do you think Kylo will try and turn Rey again as Supreme Leader? How will General Leia's future be dealt with now that Carrie Fisher has passed away last year?
Space

Interstellar Object 'Oumuamua' Appears To Be Wrapped In An Organic Insulation Layer (theguardian.com) 242

dryriver writes: Oumuamua is the cigar-shaped object -- about 400 meters long and only 40 meters in the other dimensions -- that originated from somewhere else in the Galaxy and visited our Solar system while moving at nearly 130,000 miles per hour. Scientists do not know where Oumuamua came from or what it is made of -- it is not shaped like commonly seen asteroids, and unlike comets, it does not leave a trail behind it, not even when it flew past the Sun. Oumuamua seems to be wrapped in a strange organic coat made of carbon-rich gunk that it likely picked up on its long travels through space. The coat, which gives Oumuamua a dark red appearance according to scientists, was examined by using spectroscopy, which looks at the light being reflected from its surface and splits it down into its wavelengths. By looking at those measurements, scientists can work out what the object might be composed of. Scientists regard it as likely that Oumuamua may be of icy composition on the inside, but that the ice doesn't come off the object due to the thick organic crust that is wrapped around it. Oumuamua has also got extraterrestrial watchers excited. Some believe that its strange, long shape suggests that it is a spaceship of some sort passing through our Solar system. Whatever Oumuamua turns out to be, it certainly has researchers and space watchers around the world fascinated and puzzled at the same time.

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