An anonymous reader writes: Reuters News on Friday withdrew a four-minute video containing an exchange between Russian President Vladimir Putin and Chinese President Xi Jinping discussing the possibility that humans can live to 150 years old, after China state TV demanded its removal and withdrew the legal permission to use it.

The footage, which included the open mic exchange from the military parade in Beijing marking the 80th anniversary of the end of World War Two, was licensed by the China state television network, China Central Television (CCTV). The clips were edited by Reuters into a four-minute video and distributed to more than 1,000 global media clients including major international news broadcasters and TV stations around the world. Other news agency licensees of CCTV also distributed edits of the footage.

Reuters removed the video from its website and issued a "kill" order to its clients on Friday after receiving a written request from CCTV's lawyer. The letter said the news agency exceeded usage terms of its agreement. The letter further criticized Reuters "editorial treatment applied to this material," but did not specify details.

BrianFagioli shares a report from NERDS.xyz: Plex has alerted its customers about a security incident that may have affected user accounts. In an email sent to subscribers, the popular media server company confirmed that an unauthorized third party gained access to one of its databases. The breach exposed emails, usernames, and hashed passwords. Plex emphasized that passwords were encrypted following best practices, so attackers cannot simply read them. The company also reassured users that no credit card data was compromised, since Plex does not store that information on its servers. Still, out of caution, it is requiring all account holders to reset their credentials.

Users are being directed to reset their passwords at plex.tv/reset. During the process, Plex recommends enabling the option to sign out all connected devices. This measure logs out every device associated with the account, including Plex Media Servers, forcing a fresh login with the updated password. The company says it has already fixed the method used by the intruder to gain entry and is conducting additional security reviews. Plex is also urging subscribers to enable two-factor authentication if they have not already done so.

"Roku is celebrating a milestone that says a lot about where entertainment is heading," notes a new article at NERDS.xyz.

"For the third month in a row, people in the United States spent more time streaming on Roku-powered devices than they did watching traditional broadcast television." Nielsen's latest data shows Roku-powered devices accounted for 21.4 percent of all TV viewing in July. Broadcast came in at 18.4 percent. That gap may not seem huge, but it marks a steady trend from May and June where streaming also came out ahead. Roku says its share of TV viewing is up 14 percent year-over-year, which suggests people are not just trying streaming, they're sticking with it...

Roku powers streaming on smart TVs and devices in over half of internet-enabled U.S. households. By its own numbers, it sells more TV units than the next two operating systems combined. It's a reminder that Roku has positioned itself as more than just a box or an app. It clearly wants to be the place where television happens.
Thanks to Slashdot reader BrianFagioli for sharing the news.

Warner Bros. Discovery has filed a major copyright lawsuit against Midjourney, accusing the AI image generator of exploiting its movies and TV shows to train models and generate near-identical reproductions of iconic characters like Batman, Bugs Bunny, and Rick and Morty. From The Hollywood Reporter: The company "brazenly dispenses Warner Bros. Discovery's intellectual property" by letting subscribers produce images and videos of iconic copyrighted characters, alleges the complaint, filed on Thursday in California federal court. "The heart of what we do is develop stories and characters to entertain our audiences, bringing to life the vision and passion of our creative partners," said a Warner Bros. Discovery spokesperson in a statement. "Midjourney is blatantly and purposefully infringing copyrighted works, and we filed this suit to protect our content, our partners, and our investments."

For years, AI companies have been training their technology on data scraped across the internet without compensating creators. It's led to lawsuits from authors, record labels, news organizations, artists and studios, which contend that some AI tools erode demand for their content. Warner Bros. Discovery joins Disney and Universal, which earlier this year teamed up to sue Midjourney. By their thinking, the AI company is a free-rider plagiarizing their movies and TV shows. In the lawsuit, Warner Bros. Discovery points to Midjourney generating images of iconic copyrighted characters. At the forefront are heroes who're at the center of DC Studios' movies and TV shows, like Superman, Wonder Woman and The Joker; others are Looney Tunes, Tom and Jerry and Scooby-Doo characters who've become ubiquitous household names; more are Cartoon Network characters, including those from Rick and Morty, who've emerged as something of cultural touchstones in recent years. [...]

The lawsuit argues Midjourney's ability to return copyrighted characters is a "clear draw for subscribers," diverting consumers away from purchasing Warner Bros. Discovery-approved posters, wall art and prints, among other products that must now compete against the service. [...] Warner Bros. Discovery seeks Midjourney's profits attributable to the alleged infringement or, alternatively, $150,000 per infringed work, which could leave the AI company on the hook for massive damages. The thrust of the studios' lawsuits will likely be decided by one question: Are AI companies covered by fair use, the legal doctrine in intellectual property law that allows creators to build upon copyrighted works without a license? The lawsuit can be found here.

Dolby Vision 2 addresses two widespread TV viewing problems in ways that will likely divide viewers and creators. The format's Content Intelligence feature uses AI and ambient light sensors to brighten notoriously dark content like Game of Thrones' Battle of Winterfell and Apple TV+'s Silo based on room brightness.

Authentic Motion grants filmmakers scene-by-scene control over motion smoothing, a feature most cinephiles despise for creating artifacts and making films look like 60fps home videos. Many filmmakers have criticized motion smoothing for undermining artistic intent. Dolby positions the feature as eliminating unwanted judder while maintaining cinematic feel. The format launches in standard and Max tiers for high-end displays.

Streameast -- the world's largest illegal sports streaming platform -- has been shut down after a year long investigation, according to a leading United States-based anti-piracy organisation. From a report: The network of 80 unauthorised domains generated 1.6billion combined visits over the past year, providing free access to global sports fixtures, including Europe's top football leagues and competitions, such as the Premier League and Champions League, as well as the NFL, NBA and MLB.

The Athletic has been informed by the Alliance for Creativity and Entertainment (ACE) -- a coalition of 50 media and entertainment organisations including Amazon, Apple TV+, Netflix and Paramount -- that an operation alongside Egyptian law enforcement officials took place on Sunday August 24 to disrupt Streameast's dominant position in the illegal streaming market.

Traffic to the site reached 136million average monthly visits, with domains primarily originating from the U.S., Canada, the United Kingdom, the Philippines and Germany.

An anonymous reader shares a report: Microsoft's Copilot AI assistant is officially coming to TVs, starting with Samsung's 2025 lineup of TVs and smart monitors. With the integration, you can call upon Copilot and ask for movie suggestions, spoiler-free episode recaps, and other general questions.

On TV, Copilot takes on a "friendly, animated presence" that resembles the opalescent Copilot Appearance Microsoft showed off last month, though in a color that makes it look more like a personified chickpea. The beige blob will float and bounce around your screen, while its mouth moves in line with its responses.

Amazon is facing a proposed class action lawsuit alleging it misleads customers by advertising digital movies and TV shows as "purchases," when in reality buyers only receive revocable licenses that can disappear if Amazon loses distribution rights. From the Hollywood Reporter: On Friday, a proposed class action was filed in Washington federal court against Amazon over a "bait and switch" in which the company allegedly misleads consumers into believing they've purchased content when they're only getting a license to watch, which can be revoked at any time. [...] The lawsuit accuses Amazon, which didn't respond to a request for comment, of misrepresenting the nature of movie and TV transactions during the purchase process. On its website and platform, the company tells consumers they can "buy" a movie. But hidden in a footnote on the confirmation page is fine print that says, "You receive a license to the video and you agree to our terms," the complaint says.

The issue is already before a court. In a 2020 lawsuit alleging unfair competition and false advertising over the practice, Amazon maintained that its use of the word "buy" for digital content isn't deceptive because consumers understand their purchases are subject to licenses. Quoting Webster's Dictionary, it said that the term means "rights to the use or services of payment" rather than perpetual ownership and that its disclosures properly warn people that they may lose access. The court ultimately rebuffed Amazon's bid to dismiss the lawsuit outside of a claim alleging a violation of Washington's unjust enrichment law.

Threads now has more than 400 million monthly active users. But who are these people who are actually using Threads, asks Mashable? And what is their cultural footprint? Threads is the Big Bang Theory of social media. Bland, boring, largely unoffensive, and somehow, it was the most popular show on television for years... At any given time, "Twitter" and "X" are searched somewhere between 12 and 30 times more than "Threads" on Google, according to the search engine's Trends data. Threads is a popular platform without much of an identity...

[Threads] is consistently good at one thing users really want from a social media platform: for their posts to be seen and engaged with. Threads might be boring in comparison to its competitors, but its users say it might be the only place on the internet right now where they don't feel they are screaming into the void.... Much like TikTok, you don't actually have to have thousands of followers to find decent engagement on the app. One user, commenting in a Reddit forum questioning who actually uses the app, said they "find it worthwhile" because "you can just say stuff on there under a tag and people will find it and respond...." According to consumer research company GWI, while users signed up for Threads because of its integration with Instagram, they're staying because Threads users are "community-focused," noting there's a strong overlap between Discord users and Threads users....

It just doesn't have the same flair as X or Twitter, which could be because Adam Mosseri, the head of Instagram, went out of his way to ensure politics was downplayed when Threads first launched. (Meta has since backtracked slightly by phasing "civic content" back into Threads "with a more personalized approach....") Threads is still in its adolescence. It lacks the media ecosystem that made Twitter indispensable for journalists, politicians, and celebrities. But it has something else: sheer scale and Meta's backing. With Instagram's 2 billion users as a feeder system, Meta can keep funneling people toward Threads whether they like it or not.
The article also points out Threads is integrated with the fediverse, supporting ActivityPub's decentralized protocol...

Google has released (PDF) a new analysis of its AI's environmental impact, showing that it has cut the energy use of AI text queries by a factor of 33 over the past year. Each prompt now consumes about 0.24 watt-hours -- the equivalent of watching nine seconds of TV. An anonymous reader shares an excerpt from an Ars Technica article: "We estimate the median Gemini Apps text prompt uses 0.24 watt-hours of energy, emits 0.03 grams of carbon dioxide equivalent (gCO2e), and consumes 0.26 milliliters (or about five drops) of water," they conclude. To put that in context, they estimate that the energy use is similar to about nine seconds of TV viewing. The bad news is that the volume of requests is undoubtedly very high. The company has chosen to execute an AI operation with every single search request, a compute demand that simply didn't exist a couple of years ago. So, while the individual impact is small, the cumulative cost is likely to be considerable.

The good news? Just a year ago, it would have been far, far worse. Some of this is just down to circumstances. With the boom in solar power in the US and elsewhere, it has gotten easier for Google to arrange for renewable power. As a result, the carbon emissions per unit of energy consumed saw a 1.4x reduction over the past year. But the biggest wins have been on the software side, where different approaches have led to a 33x reduction in energy consumed per prompt.

The Google team describes a number of optimizations the company has made that contribute to this. One is an approach termed Mixture-of-Experts, which involves figuring out how to only activate the portion of an AI model needed to handle specific requests, which can drop computational needs by a factor of 10 to 100. They've developed a number of compact versions of their main model, which also reduce the computational load. Data center management also plays a role, as the company can make sure that any active hardware is fully utilized, while allowing the rest to stay in a low-power state.

The other thing is that Google designs its own custom AI accelerators, and it architects the software that runs on them, allowing it to optimize both sides of the hardware/software divide to operate well with each other. That's especially critical given that activity on the AI accelerators accounts for over half of the total energy use of a query. Google also has lots of experience running efficient data centers that carries over to the experience with AI. The result of all this is that it estimates that the energy consumption of a typical text query has gone down by 33x in the last year alone.

BrianFagioli writes: Google is preparing to bring its television platforms in line with the rest of Android. Starting August 1, 2026, both Google TV and Android TV will require app updates that include native code to provide 64-bit support. The move follows similar requirements for phones and tablets, and it paves the way for upcoming 64-bit TV devices.

Starting September 1st, Russia will require all smartphones and tablets sold in the country to come with MAX, a state-backed messaging app seen as a rival to WhatsApp and Telegram. Critics say the app could be used to track users. Reuters reports: The Russian government said in a statement that MAX, which will be integrated with government services, would be on a list of mandatory pre-installed apps on all "gadgets," including mobile phones and tablets, sold in Russia from September 1. State media says accusations from Kremlin critics that MAX is a spying app are false and that it has fewer permissions to access user data than rivals WhatsApp and Telegram. It will also be mandatory that from September 1, Russia's domestic app store, RuStore, which is pre-installed on all Android devices, will be pre-installed on Apple devices.

A Russian-language TV app called LIME HD TV, which allows people to watch state TV channels for free, will be pre-installed on all smart TVs sold in Russia from January 1, the government added. [...] MAX said this week that 18 million users had downloaded its app, parts of which are still in a testing phase. Russia's interior ministry said on Wednesday that MAX was safer than foreign rivals, but that it had arrested a suspect in the first fraud case using the new messenger.

BrianFagioli shares a report from NERDS.xyz: If you run Plex Media Server, it's time to drop everything and update. The company has quietly patched a security issue that affects recent versions of its software, and users are being told to upgrade as soon as possible. According to an email Plex sent to affected customers, versions 1.41.7.x through 1.42.0.x are vulnerable. The newly released build, 1.42.1.10060 or later, contains the fix. Plex says the flaw was found through its bug bounty program, but sadly, it has not publicly shared details about how severe the issue is or whether it could be exploited remotely.

Rising subscription costs, shrinking content libraries, and regional restrictions are pushing viewers back toward piracy. Once seen as nearly dead, piracy has resurged through illicit streaming platforms as the fractured, ad-laden streaming market struggles to deliver convenience and value. The Guardian reports: According to London-based piracy monitoring and content-protection firm MUSO, unlicensed streaming is the predominant source of TV and film piracy, accounting for 96% in 2023 (PDF). Piracy reached a low in 2020, with 130bn website visits. But by 2024 that number had risen to 216bn (PDF). In Sweden, 25% of people surveyed (PDF) reported pirating in 2024, a trend mostly driven by those aged 15 to 24. Piracy is back, just sailing under a different flag.

"Piracy is not a pricing issue," Gabe Newell, the co-founder of Valve, the company behind the world's largest PC gaming platform, Steam, observed in 2011. "It's a service issue." Today, the crisis in streaming makes this clearer than ever. With titles scattered, prices on the rise, and bitrates throttled depending on your browser, it is little wonder some viewers are raising the jolly roger again. Studios carve out fiefdoms, build walls and levy tolls for those who wish to visit. The result is artificial scarcity in a digital world that promised abundance.

Whether piracy today is rebellion or resignation is almost irrelevant; the sails are hoisted either way. As the streaming landscape fractures into feudal territories, more viewers are turning to the high seas. The Medici understood the value linked to access. [The 2016 historical drama series tells of the rise of the powerful Florentine banking dynasty, and with it, the story of the Renaissance.] A client could travel from Rome to London and still draw on their credit, thanks to a network built on trust and interoperability. If today's studios want to survive the storm, they may need to rediscover that truth.

Samsung has finally launched a TV featuring the company's new Micro RGB backlight technology. From a report: The 115-inch TV is first launching in South Korea for over $32,000, according to SamMobile, but Samsung says it's coming to the US next, followed by a wider global rollout with more size options.

Samsung's Micro RGB technology is being positioned as an upgrade to Mini LED backlights that employ an array of tiny white or blue LEDs behind a TV's LCD panel. Micro RGB backlights instead use an ultra-fine pattern of individually controlled red, green and blue LEDs that are each less than than 100um in size.

The new backlight is powered by Samsung's Micro RGB AI engine, which the company says "analyzes each frame in real time and automatically optimizes color output for a more lifelike and immersive picture." The technology allows for improved color accuracy and better contrast by precisely controlling the intensity of the individual LEDs, and Samsung says it can even boost the color in dull scenes, making them appear more vivid and immersive.

Warner Bros. Discovery is preparing to crack down on HBO Max password sharing by the end of 2025, with "aggressive" enforcement and messaging starting next month. Deadline reports: JB Perrette, head of streaming and gaming at Warner Bros. Discovery said on the company's second-quarter earnings call that messaging to consumers is about to get more "aggressive." The media company looking to close the loopholes by the end of 2025, with the impact starting to appear in its financials by 2026. Several months of testing has enabled WBD to determine "who's a legitimate user who may not be a legitimate user," Perrette said. Once that is determined, he continued, the next step is to "turn on the more aggressive language around what needs to happen" in order to and make sure that "we are putting the net in the right place, so to speak."

Asked about what "inning" the process is in, to use the baseball cliche, Perrette said only the first. By the fourth quarter, he said, the process will be happening "in a much more aggressive fashion." "The message language right now has been a fairly soft, cancel-able message," he said. It will "start to get more fixed and such that people have to take action as opposed to right now, sort of having to be a voluntary process." Once those directives are established, he said, "the real benefit will start probably in the fourth quarter and then kick in in 2026."

Google has quietly admitted defeat in selling advertising for its smart TV platform, returning ad inventory to publishers and accepting a revenue share instead of controlling ad spots directly, according to The Verge. The policy reversal comes as Google spends hundreds of millions of dollars annually on Google TV without breaking even, while Amazon outspends the company on retail incentives that have already pushed Google TV sets out of Costco stores in favor of Fire TV models.

Amazon pays up to $50 per activated television to retailers and manufacturers, The Verge reported. Google TV has grown to 270 million monthly active devices worldwide since unifying Android TV and Chromecast under a single brand in 2020, but many devices operate in overseas markets that generate little revenue or run customized versions controlled by pay-TV operators. YouTube's success in the living room -- generating $9.8 billion in quarterly ad revenue and accounting for 12.5% of all US television viewing -- has reduced internal support for Google TV, with sales teams prioritizing the video platform and some YouTube executives arguing the smart TV budget should be redirected, the report adds.

Jim Acosta, the former CNN chief White House correspondent who now hosts an independent show on YouTube, has interviewed an AI-generated avatar of Parkland shooting victim Joaquin Oliver. The late teen's parents created the avatar to preserve his voice and advocate for gun reform. Oliver's parents "granted Acosta the first 'interview' with the recreated version of their son on what would have been his 25th birthday," notes Variety. "Oliver was one of 17 people killed in the mass shooting at Marjory Stoneman Douglas High School." From the report: Acosta asked AI Oliver about his solution for gun violence, to which the avatar responded: "I believe in a mix of stronger gun control laws, mental health support and community engagement. We need to create safe spaces for conversations and connections, making sure everyone feels seen and heard. It's about building a culture of kindness and understanding." The avatar added, "Though my life was cut short, I want to keep inspiring others to connect and advocate for change." Acosta then asked AI Oliver about his personal life, such as his favorite sport and favorite basketball team. The two discussed the movie "Remember the Titans" and their favorite "Star Wars" moments.

After a five-minute chat with the AI, Acosta then connected with Oliver's father, Manuel Oliver. "I'm kind of speechless as to the technology there," Acosta said. "It was so insightful. I really felt like I was speaking with Joaquin. It's just a beautiful thing." Manuel, who has been an outspoken voice in the push for gun control, said he believed bringing "AI Joaquin to life" would "create more impact." According to Manuel, the avatar is trained on information on the internet as well as things Oliver wrote, said and posted online. He said he wanted to make it clear to viewers that he is under no illusions about reviving his son. "I understand that this is AI. I don't want anyone to think that I am, in some way, trying to bring my son back," he said. "Sadly, I can't, right? I wish I could. However, the technology is out there." [...]

Manuel said he is excited about the future of the project and what it means for his son's legacy. "What's amazing about this is that we've heard from the parents, we've heard from the politicians. Now we're hearing from one of the kids," Acosta said. "That's important. That hasn't happened." Manuel said he plans to have AI Oliver "on stage in the middle of a debate," and that "his knowledge is unlimited." You can watch the full interview on YouTube.

Roku has launched Howdy, a new ad-free streaming service that costs $2.99 a month. The streaming platform says it offers 10,000 hours of content from Lionsgate, Warner Bros. Discovery and FilmRise, as well as its own, exclusive programming known as Roku Originals. CNBC reports: The service is available across the U.S. beginning Tuesday. [...] The new service runs alongside the Roku Channel, which will remain free. Howdy will initially be available on the Roku platform, and will later be rolled out on mobile and other platforms, the company said. "Priced at less than a cup of coffee, Howdy is ad-free and designed to complement, not compete with, premium services," said Roku founder and CEO Anthony Wood in the release.

"Did Craigslist drive the downfall of print classifieds?" That's the question asked in a new article from the nonprofit Poynter Institute for Media Studies: "I've always wondered about that," Newmark said in a Zoom interview July 1. "I think it had an effect." But portraying him and the list as torpedoing an otherwise great business model is way overblown, he still believes. Citing an influential essay by Thomas Baekdal, Newmark contends that the root of newspapers' trouble was the loss of readers. "TV hit hard. ... (And) l'm like the folks on 'CSI,' I follow the evidence. That goes back at least to the '60s."

Bad in itself, the loss also took away newspapers' dominant share of local audiences and ability to charge premium classified ad rates. The slide in circulation looks even worse, Baekdal pointed out, when compared to continued increases in the number of households over the years.

Still, Craigslist came to symbolize the shift. Dozens of other vertical digital sites cropped up, before and after, all offering a deadly competitive pairing of an effective and much cheaper service than newspaper classifieds. Even if Craigslist was just one of many, though, it was arguably Newmark who put a face on the massive disruption... By the early 2000s, newspaper executives had a dawning awareness of the business challenge from Craigslist and similar sites. They took minimal action to meet it...

The biggest response was that three big companies — Knight-Ridder, Tribune and Gannett — bought a copycat of Monster called CareerBuilder... By the time newspapers acted, online classifieds had a full head of steam... By 2010, 70% of the newspaper industry's print classified business was gone. Reliable statistics are no longer kept, but the trend continued over the last 15 years... Newspapers continue to do well only with paid obituaries and legal notices, though the latter is now also under threat by digital startups.
The article cites a 2019 analysis from Peter Zollman, whose AIM Group consultancy has followed the classified business for 25 years. "Craigslist has often been blamed for killing newspapers, but that's a gross canard. It just isn't true." American newspapers stumbled while several well-managed counterparts in places like Scandinavia found ways to prosper, he argued.