China has lifted its unofficial ban on Marvel titles, bestowing release dates for two major superhero tentpoles, "Black Panther: Wakanda Forever" and "Ant-Man and The Wasp: Quantumania." Variety reports: "Black Panther: Wakanda Forever," which was released everywhere else in the world last November, will open in China on Feb. 7. Shortly after, "Ant-Man and The Wasp: Quantumania" will be released on Feb. 17, the same day the sequel touches down in the U.S. and the U.K. The dates were released via Marvel's Chinese social media accounts.

Those movies will be the first Marvel adventures to play in China since 2019's "Avengers: Endgame" (which made a staggering $632 million in the territory) and "Spider-Man: Far From Home" (which brought in $198 million in the territory). In the past, Marvel movies have been extremely popular in China, with "Black Panther" grossing $105 million and "Ant-Man and the Wasp" earning $121 million in the country.

It's not clear why recent titles from Disney and other major studios have been denied release in China. But it is most likely sabre rattling directed towards the U.S. during a period of increased tensions, especially with jingoistic political events like the 100th anniversary of the Chinese Communist Party and the 20th National Congress happening in 2021 and 2022 respectively.

In the mid-1970s, Chilean filmmaker Alejandro Jodorowsky tried to film Dune (working with artists including H.R. Giger). A documentary about that attempt was filmed by Frank Pavich, who now writes in the New York Times that "The cast would have included Mick Jagger, Orson Welles, Salvador Dalí and Alejandro's 12-year-old son, Brontis, in the lead role. The soundtrack would have been composed and recorded by Pink Floyd.... It will forever be the greatest film never made, because it exists solely in our imaginations."

Just because you cannot watch Alejandro's "Dune" doesn't mean it didn't change the world. This unfilmed film's influence on our culture is nothing short of astounding. Specific ideas and images from the "Dune" art bible have escaped into the world. They can be experienced in movies such as "Blade Runner," "Raiders of the Lost Ark," "Prometheus," "The Terminator" and even the original "Star Wars." His "Dune" does not exist, yet it's all around us.
Nearly half a century later... I was recently shown some frames from a film that I had never heard of: Alejandro Jodorowsky's 1976 version of "Tron." The sets were incredible. The actors, unfamiliar to me, looked fantastic in their roles. The costumes and lighting worked together perfectly. The images glowed with an extravagant and psychedelic sensibility that felt distinctly Jodorowskian.

However, Mr. Jodorowsky, the visionary Chilean filmmaker, never tried to make "Tron." I'm not even sure he knows what "Tron" is. And Disney's original "Tron" was released in 1982. So what 1970s film were these gorgeous stills from...? The truth is that these weren't stills from a long-lost movie. They weren't photos at all. These evocative, well-composed and tonally immaculate images were generated in seconds with the magic of artificial intelligence.
The article notes that the real Jodorowsky is now almost 94 — and is planning to direct a new film. But it also points out that in the early 1970s Jodorowsky's team put in "two years of pure analog struggle to create his Dune," — while Canadian film director Johnny Darrell generated the Tron images in less than a minute using an A.I. program called Midjourney. Pavich says this raises several questions. "Has Alejandro been robbed? Is the training of this A.I. model the greatest art heist in history? How much of art-making is theft, anyway?"

In his great documentary F for Fake Orson Welles intones wrly that "A forgery — is still a painting." So Pavich's piece concludes with perhaps the ultimate question. "What will it mean when directors, concept artists and film students... can paint using all the digitally archived visual material of human civilization? When our culture starts to be influenced by scenes, sets and images from old films that never existed or that haven't yet even been imagined?

"I have a feeling we're all about to find out."

An anonymous reader quotes a report from The Guardian: A Canadian woman has been ordered by a civil tribunal to compensate her former employer for "time theft" after she was caught misrepresenting hours worked by controversial tracking software. Karlee Besse, who worked remotely as an accountant in British Columbia, initially claimed she was fired from her job without cause last year and sought $3,729 in compensation -- both in unpaid wages and severance. But the company, Reach CPA, told the tribunal Beese had logged more than 50 hours that "did not appear to have spent on work-related tasks."

Reach said it installed employee-tracking software called TimeCampon Besse's work laptop after it found her assigned files were over budget and behind schedule, a strategy companies are increasingly taking in the era of remote work. The software tracks how long a document is open, how the employee uses the document and logs the time as work. Weeks later, the company said an analysis "identified irregularities between her timesheets and the software usage logs." While Besse told the tribunal she found the program "difficult" and worried it didn't differentiate between work and personal use, the company demonstrated how TimeCamp automatically makes those distinctions, separating time logs for work from activities such as using the laptop to stream movies and television shows.

Besse said she had printed documents to work on, but did not tell Reach she was using hard copy because she "knew they wouldn't want to hear that" and she was afraid of repercussions. The company said that the software also tracks printing -- and that few documents had been logged as printed. It also said any work from the printed documents would have needed to be input into the company's software, which never happened. [...] The judge tossed out Besse's claim of wrongful termination and ordered her to pay $1,840.27, both in returned wages and as a part of previous advance she had received from the company.

AmiMoJo writes: Belarusian dictator Alexander Lukashenko has signed a new law that legalizes piracy of movies, music, TV shows and software owned by rightsholders from 'unfriendly countries'. The law also allows goods protected by intellectual property law to be imported from any country without obtaining permission from rightsholders.

Lukashenko's support for Russia's invasion of Ukraine led to new sanctions being imposed by the EU, U.S. and other countries. In common with Russia, Belarus relies on intellectual property owned by foreign rightsholders that are currently unable or unwilling to supply and/or license it. So, to ensure legal access to pirated movies, music, TV shows and software, the government drafted a new law to restrict intellectual property rights.

Four years after introducing its MicroLED technology at CES 2018, Samsung claims the technology is ready for the masses and "will set the standard for picture quality in 2023," reports Engadget. From the report: At CES 2023, the company announced it would offer 50-, 63-, 76-, 89-, 101-, 114- and 140-inch MicroLED models, greatly expanding the amount of choice consumers have when it comes to the new display technology. Samsung didn't provide pricing and availability information for the expanded line, but the company claims the new models are its most affordable MicroLED TVs to date. [...] The set sports a 240Hz variable refresh rate and 2-nanosecond response time. It also offers 20-bit black detail for "intense" contrast.

Samsung is also promising upgrades for its Neo QLED sets, starting with the line's new flagship. The QN900C features an 8K Quantum MiniLED-lit panel capable of maxing out at 4,000 nits of brightness. As with Samsung's 2022 Neo QLED sets, the QN900C features a 14-bit backlight. However, the TV offers even better contrast thanks to a tweak the company made to its 8K Real Depth Enhancer Pro software. Samsung is also promising improved picture quality when viewing older movies and TV shows thanks to the inclusion of its new Auto HDR Remastering algorithm, which can automatically apply HDR effects to standard dynamic range content.

For those who would prefer a 4K set, there's also the QN935C. Samsung's new 4K flagship features a redesigned power board that eliminates the need for an external connection box and allows for bezels that are less than 20mm thick. The QN935C also features top-firing speakers, allowing the set to produce Dolby Atmos sound without a dedicated soundbar. You can use both the QN900C and QN935C as a smart home hub thanks to the fact Samsung's entire 2023 Neo QLED line will feature built-in Zigbee and Matter Thread all-in-one modules. As for its OLED models, Samsung announced the 2023 QD-OLED TV line, which will offer up to 2,000 nits of peak brightness and support 144Hz refresh rates -- all while being more energy efficient than before. "Additionally, the company has gone out of its way to get the panels AMD FreeSync Premium Pro certified," adds Engadget.

Computer security experts were struggling this week to assess a startling claim by Chinese researchers that they have found a way to break the most common form of online encryption [the link may be paywalled] using the current generation of quantum computers, years before the technology was expected to pose a threat. Financial Times: The method, outlined in a scientific paper [PDF] published in late December, could be used to break the RSA algorithm that underpins most online encryption using a quantum machine with only 372 qubits -- or quantum bits, a basic unit of quantum computing -- according to the claims from 24 researchers from a number of academic bodies and state laboratories. IBM has already said that its 433 qubit Osprey system, the most powerful quantum computer to have been publicly unveiled, will be made available to its customers early this year.

If correct, the research would mark a significant moment in the history of computer security, said Roger Grimes, a computer security expert and author. "It's a huge claim," he said. "It would mean that governments could crack other governments secrets. If it's true -- a big if -- it would be a secret like out of the movies, and one of the biggest things ever in computer science." Other experts said that while the theory outlined in the research paper appeared sound, trying to apply it in practice could well be beyond the reach of today's quantum technology. "As far as I can tell, the paper isn't wrong," said Peter Shor, the Massachusetts Institute of Technology scientist whose 1994 algorithm proving that a quantum machine could defeat online encryption helped to trigger a research boom in quantum computing. Shor's method requires machines with many hundreds of thousands, or even millions, of qubits, something that many experts believe is a decade or more away.

During the CES 2023 in Las Vegas today, Asus announced an upcoming feature that allows users to view and work with content in 3D without wearing 3D glasses. Ars Technica reports: Similar technology has been used in a small number of laptops and displays before, but Asus is incorporating the feature for the first time in OLED laptop screens. Combined with high refresh rates, unique input methods like an integrated dial, and the latest CPUs and laptop GPUs, the company is touting the laptops with the Asus Spatial Vision feature as powerful, niche options for creative professionals looking for new ways to work.

Asus' Spatial Vision 3D tech is debuting on two laptops in Q2 this year: the ProArt Studiobook 16 3D OLED (H7604) and Vivobook Pro 16 3D OLED (K6604). The laptops each feature a 16-inch, 3200x2000 OLED panel with a 120 Hz refresh rate. The OLED panel is topped with a layer of optical resin, a glass panel, and a lenticular lens layer. The lenticular lens works with a pair of eye-tracking cameras to render real-time images for each eye that adjust with your physical movements. In a press briefing, an Asus spokesperson said that because the OLED screens claim a low gray-to-gray response time of 0.2 ms, as well as the extremely high contrast that comes with OLED, there's no crosstalk between the left and right eye's image, ensuring more realistic looking content. However, Asus' product pages for the laptops acknowledge that experiences may vary, and some may still suffer from "dizziness or crosstalk due to other reasons, and this varies according to the individual." Asus said it's looking to offer demos to users, which would be worth trying out before committing to this unique feature.

On top of the lenticular lens is a 2D/3D liquid crystal switching layer, which is topped with a glass front panel with an anti-reflective coating. According to Asus, it'll be easy to switch from 2D mode to 3D and back again. When the laptops aren't in 3D mode, their display will appear as a highly specced OLED screen, Asus claimed. The laptops can apply a 3D effect to any game, movie, or content that supports 3D. However, content not designed for 3D display may appear more "stuttery," per a demo The Verge saw. The laptops are primarily for workers working with and creating 3D models and content, such as designers and architects. The two laptops will ship with Spatial Vision Hub software. It includes a Model Viewer, Player for movies and videos, Photo Viewer for transforming side-by-side photos shot with a 180-degree camera into one stereoscopic 3D image, and Connector, a plug-in that Asus' product page says is compatible with "various apps and tools, so you can easily view any project in 3D."

Guess what's finally entering America's public domain today? Appropriately enough, it's Marcel Proust's 1927 novel Remembrance of Things Past.

Also entering the public domain today are thousands of other books, plus the music and lyrics of hundreds of songs, and even several silent movies.

Fritz Lang's sci-fi classic Metropolis enters the public domain today — and so does the Laurel & Hardy comedy Battle of the Century (which culminates with one of Hollywod's first pie fights), according to Duke University's Center for the Study of the Public Domain: This is actually the second time that Metropolis has gone into the US public domain. The first was in 1955, when its initial 28-year term expired and the rights holders did not renew the copyright. Then in 1996 a new law restored the copyrights in qualifying foreign works. Metropolis, along with thousands of other works, was pulled out of the public domain, and now reenters it after the expiration of the 95-year term, with the once missing scenes available for anyone to reuse.
They also note that some material is in the public domain from the beginning, including government works like the images from the James Webb telescope.

But for other works, today is a big and important day, writes the Associated Press: Alongside the short-story collection "The Case-Book of Sherlock Holmes," books such as Virginia Woolf's "To The Lighthouse," Ernest Hemingway's "Men Without Women," William Faulkner's "Mosquitoes" and Agatha Christie's "The Big Four" — an Hercule Poirot mystery — will become public domain as the calendar turns to 2023. Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost.

The works from 1927 were originally supposed to be copyrighted for 75 years, but the 1998 Copyright Term Extension Act delayed opening them up for an additional 20 years. While many prominent works on the list used those extra two decades to earn their copyright holders good money, a Duke University expert says the copyright protections also applied to "all of the works whose commercial viability had long subsided."

"For the vast majority — probably 99% — of works from 1927, no copyright holder financially benefited from continued copyright. Yet they remained off limits, for no good reason," Jennifer Jenkins, director of Duke's Center for the Study of the Public Domain, wrote in a blog post heralding "Public Domain Day 2023." That long U.S. copyright period meant many works that would now become available have long since been lost, because they were not profitable to maintain by the legal owners, but couldn't be used by others. On the Duke list are such "lost" films like Victor Fleming's "The Way of All Flesh" and Tod Browning's "London After Midnight...."
Also entering the public domain today:


- Willa Cather's Death Comes for the Archbishop
- A. A. Milne's Now We Are Six (illustrations by E. H. Shepard)
- Franklin W. Dixon's The Tower Treasure — the first Hardy Boys book
- Herman Hesse's Steppenwolf (German version)
- The song "My Blue Heaven"
- Songs by Duke Ellington and Louis Armstrong
- Alfred Hitchcock's early silent movie The Lodger


The UK-based newspaper the Observer adds: For those readers who do not reside in the US, there is perhaps another reason for celebrating today, because copyright terms are longer in the US than they are in other parts of the world, including the EU and the UK. And therein lies a story about intellectual property laws and the power of political lobbying in a so-called liberal democracy.... The term was gradually lengthened in small increments by Congress until 1976, when it was extended by 19 years to 75 years and then in 1998 by the Sonny Bono Act. So, as the legal scholar Lawrence Lessig puts it, "in the 20 years after the Sonny Bono Act, while 1 million patents will pass into the public domain, zero copyrights will pass into the public domain by virtue of the expiration of a copyright term"....

[T]he end result is that American citizens have had to wait two decades to be free to adapt and reuse works to which we Europeans have had easy access....

The issue highlighted by Public Domain Day is not that intellectual property is evil but that aspects of it — especially copyright — have been monopolised and weaponised by corporate interests and that legislators have been supine in the face of their lobbying. Authors and inventors need protection against being ripped off. It's obviously important that clever people are rewarded for their creativity and the patent system does that quite well. But if a patent only lasts for 20 years, why on earth should copyright last for life plus 70 years for a novel?

AI tools like DALL-E 2, Lensa AI, and Midjourney "can be told to create imagery in the style of a particular artist," notes this article in the Daily Dot.

Yet "The current legal consensus, much to the chagrin of many artists, concludes that AI-generated art is in the public domain and therefore not copyrighted." So... In response to concerns over the future of their craft, artists have begun using AI systems to generate images of characters including Disney's Mickey Mouse. Given Disney's history of fierce protection over its content, the artists are hoping the company takes action and thus proves that AI art isn't as original as it claims. Over the weekend, Eric Bourdages, the Lead Character Artist on the popular video game Dead by Daylight, urged his followers to create and sell merchandise using the Disney-inspired images he created using Midjourney.... "Legally there should be no recourse from Disney as according to the AI models TOS these images transcends copyright and the images are public domain."

Bourdages tweet quickly racked up more than 37,000 likes and close to 6,000 shares.

In numerous follow-up tweets, Bourdages generated images of other popular characters from movies, video games, and comic books, including Darth Vader, Spider-Man, Batman, Mario, and Pikachu.

"More shirts courtesy of AI," he added. "I'm sure, Nintendo, Marvel, and DC won't mind, the AI didn't steal anything to create these images, they are completely 100% original...."

Just two days after sharing the images, however, Bourdages stated on Twitter that he had suddenly lost his access to Midjourney.
The article notes that Bourdages reiterated his point in a later tweet. "People's craftsmanship, time, effort, and ideas are being taken without their consent and used to create a product that can blend it all together and mimic it to varying degrees."

Longtime williamyf writes: Both ArsTechnica and The Register report that Amazon, Vertigo, and Games Worksop have entered a preliminary deal for the movie, TV, and merchandising rights of the Warhammer 40K franchise. The deal also brings Henry Cavill -- longtime Warhammer 40K fan, actor who played Geralt in Netflix's The Witcher series and Superman in the Zack Snyder DC superhero films -- as both executive producer and actor.

While this is only a memorandum of understanding, it's highly likely that the deal will pass. What is still not clear is if this will be handled by MGM (meaning a higher probability of theatrical releases and physical media) or if it will go to Amazon Studios (increasing the probability of a streaming-only affaire), or both.

What is your opinion? Let us know in the comments. "Warhammer 40K is set in the very distant future (the 40K roughly refers to the years when it takes place) that is analogous in some ways to what historians used to refer to as Europe's Dark Ages," reports Ars. "The franchise is the definition of 'grimdark,' painting a picture of a universe in which billions toil to serve a God-Emperor and vast, brutal warfare."

"The universe is much more expansive than its politics, though, with countless threats to humanity, including Starship Troopers-like insect hordes and space orks, among other beings." It started as a tabletop game and has gone on to spawn numerous popular video games and books over the almost 40 years it's been around.

Alphabet's DeepMind has built an AI tool that can help generate rough film and stage scripts Engadget's Kris Holt reports: Dramatron is a so-called "co-writing" tool that can generate character descriptions, plot points, location descriptions and dialogue. The idea is that human writers will be able to compile, edit and rewrite what Dramatron comes up with into a proper script. Think of it like ChatGPT, but with output that you can edit into a blockbuster movie script. To get started, you'll need an OpenAI API key and, if you want to reduce the risk of Dramatron outputting "offensive text," a Perspective API key. To test out Dramatron, I fed in the log line for a movie idea I had when I was around 15 that definitely would have been a hit if Kick-Ass didn't beat me to the punch. Dramatron quickly whipped up a title that made sense, and character, scene and setting descriptions. The dialogue that the AI generated was logical but trite and on the nose. Otherwise, it was almost as if Dramatron pulled the descriptions straight out of my head, including one for a scene that I didn't touch on in the log line.

Playwrights seemed to agree, according to a paper (PDF) that the team behind Dramatron presented today. To test the tool, the researchers brought in 15 playwrights and screenwriters to co-write scripts. According to the paper, playwrights said they wouldn't use the tool to craft a complete play and found that the AI's output can be formulaic. However, they suggested Dramatron would be useful for world building or to help them explore other approaches in terms of changing plot elements or characters. They noted that the AI could be handy for "creative idea generation" too. That said, a playwright staged four plays that used "heavily edited and rewritten scripts" they wrote with the help of Dramatron. DeepMind said that in the performance, experienced actors with improv skills "gave meaning to Dramatron scripts through acting and interpretation."

Today, Disney+ launched its ad-supported tier, "Disney+ Basic," at $7.99/month. The plan is currently only available in the U.S. and will become available in other countries sometime next year. TechCrunch reports: Netflix has its work cut out for it if it wants to compete successfully with Disney+'s new ad-supported tier. For instance, Disney+ Basic not only lets viewers stream high-quality video, including Full HD, HDR10, 4K Ultra HD, Dolby Vision and Expanded Aspect Ratio with IMAX Enhanced, but it also lets subscribers stream on up to four supported devices simultaneously. Plus, the ad plan includes Disney+'s full content catalog. Netflix's ad-supported plan, on the other hand, only supports 720p HD video quality, subscribers can only stream on one device at the same time and around 5% to 10% of Netflix's content library is missing due to licensing restrictions.

Neither Disney+ Basic nor Netflix's "Basic with ads" plan allows offline viewing or downloads. Other features not included in the Disney+ Basic plan at launch are GroupWatch, SharePlay and Dolby Atmos. A Disney spokesperson told TechCrunch that the company hopes to support this in the future, but the exact timing is unknown. Ads will range from 15 to 30 or 45 seconds long, the spokesperson added. As we previously reported, Disney+ is limiting the total ad load to an average of four minutes of commercials an hour. Preschool content has zero ads. "Today's launch marks a milestone moment for Disney+ and puts consumer choice at the forefront. With these new ad-supported offerings, we're able to deliver greater flexibility for consumers to enjoy the full breadth and depth of incredible storytelling from The Walt Disney Company," Michael Paull, president of Direct to Consumer, said in a statement.

The writers of Rogue One: A Star Wars Story "had an idea for a sequel that would have been even darker and more morally ambiguous," writes Screen Rant: Rogue One told the story of how the Rebel Alliance gained access to the Death Star plans, and further explored the sacrifices that needed to be made to defeat the Empire. Famously, the movie led straight into the events of Star Wars: A New Hope, and most of its main characters died, so there was never any true hope for a direct Rogue One sequel. However, the writers of Rogue One did once discuss an idea for a thematic sequel that would have delved into the moral ambiguity of the Rebellion.

Co-writers Gary Whitta and Chris Weitz conceptualized a Rogue One sequel show that would have involved a "Mossad-style Rebel team" tracking down fleeing Imperial war criminals after the fall of the Empire. This would have been an interesting continuation of Rogue One's narrative; a Star Wars show in which the darker side of the Rebel victory could be explored. In that scenario, the Rebels would have had to fight on the offensive, not defensively, reversing the war's dynamic entirely. The show could have explored how far the Rebels were willing to go to hold onto their hard-won freedom, and whether it mirrored anything the Empire did to hang onto its dictatorship.
At the time Lucasfilm was experimenting with "one-and-done stories within blockbuster movies," the article point sout. But Solo: A Star Wars Story "was unable to replicate the same winning formula" as Rogue One. "After that, the ideas for Star Wars' anthology movies fizzled out, essentially replaced with Star Wars TV once Disney+ launched in 2019."

And in an earlier article, Screen Rant points out that The Mandalorian "has already filled in the story gaps that the Rogue One writers were looking to explore. That series dug deep into the criminal underbelly of the post-Empire galaxy and how the remaining imperial loyalists chose to spend their time."

Prime Video has supplanted Netflix as the No. 1 subscription streaming outlet in the U.S. in an annual ranking compiled by research firm Parks Associates. Deadline reports: The company didn't disclose its methodology for how it isolates the number of Prime Video subscribers, a metric long cloaked in secrecy due to Amazon's general reluctance to disclose statistics about its Prime business. Still, Parks has been a reputable tracker of the streaming space for more than a decade. For many years in the 2010s, its rankings looked consistent, with the former "Big 3" of Netflix, Prime Video and Hulu sharing the top three spots, always with Netflix at the top. Today, the rankings are much more fragmented given how many new players have entered the scene. The list reflects total subscribers through September 2022, via the OTT Video Market Tracker, a Parks offering described by the firm as "an exhaustive analysis of market trends and profiles of the nearly 100 over-the-top video service providers in the U.S. and Canada."

Amazon said last year it has more than 200 million Prime members, with Prime Video among the program's benefits. Several weeks ago, the company also recently said The Lord of the Rings: The Rings of Power has been viewed by more than 100 million Prime subscribers worldwide. [...] Netflix, meanwhile, has hit a plateau in the U.S., even shedding a small amount of subscribers over recent quarters. The company reported 73.4 million subscribers in the U.S. and Canada as of September 30, up 100,000 from the previous quarter but below levels in 2021 and earlier this year.

On a global basis, of course, Netflix continues to lead the field with a bit more than 223 million subscribers. Disney has been hot on its heels, with Disney+ now at 164.2 million and the company overall reaching 235.7 million across Disney+, Hulu and ESPN+. The rest of the 2022 chart looks relatively similar to the 2021 edition, though NBCUniversal's Peacock broke through to take the No. 10 spot as Showtime dropped out of the picture.

Streaming giant plans global expansion of program that helped make 'Don't Look Up' less serious. From a report: Before Netflix's 2021 release of "Don't Look Up," a small group of its U.S. subscribers previewed the film and told the streaming giant that the movie came across as too serious, according to people familiar with the matter. The film's creators used that feedback to dial up the comedic element of the film and make it appeal to a broader audience, the people said. While the film received lukewarm reviews among critics, "Don't Look Up" was nominated for four Academy Awards and broke a Netflix record for weekly viewing hours of a film, a record it still holds. Netflix is now planning to expand its group of previewers beyond its current base of 2,000-plus subscribers to include tens of thousands of users around the world early next year, people familiar with those plans said.

Netflix is working to ensure that every dollar spent on content yields the highest level of member attention and engagement across its 223 million-strong subscriber base globally, and comes as streamers more heavily scrutinize content spending and focus more on profitability. Netflix this year suffered two consecutive quarters of subscriber losses and has told Wall Street it expects to keep its spending on new shows and movies to about $17 billion annually for the next few years. The company returned to subscriber growth in the third quarter.

A torrent site user accused of downloading and uploading at least 120TB of movies, TV shows, eBooks, music and software, has avoided an immediate prison term. The 28-year-old was arrested as part of a police operation against DanishBytes. A member of the same site was sentenced earlier this month after he uploaded Netflix content obtained using hacked credentials. TorrentFreak reports: Early November 2021, Denmark's Public Prosecutor for Special Economic and International Crime (SOIK) announced that six people had been arrested following criminal referrals by Rights Alliance. All were members and/or operators of ShareUniversity and DanishBytes. Prosecution of site operators is not uncommon but when it's deemed in the public interest, pirate site users can also face charges. Every case is unique so criteria differ, especially across national borders, but when evidence shows large volumes of infringement, successful prosecutions become more likely. That was the case when a former DanishBytes user was sentenced last week. According to Danish anti-piracy group Rights Alliance, the 28-year-old man was a regular site member and wasn't involved in running the site. That being said, evidence showed that for the period January 2021 to November 2021, he downloaded and/or uploaded no less than 3,000 copyrighted works, including movies, TV shows, music, books, audiobooks and comics.

Information released by the National Unit for Special Crimes (NSK), a Danish police unit focused on cybercrime, organized crime, and related financial crime, reveals that the user's traffic statistics interested prosecutors. "During the period, the man downloaded no less than 100 TB and uploaded no less than 20 TB of copyrighted material," NSK says. BitTorrent trackers operating a ratio model usually insist on a better ratio of downloads to uploads but DanishBytes' situation was out of the ordinary.

The site launched in January 2021 in the wake of other sites being shut down, so had to get going from a standing start with no users. Even when arrests were being made, the site still had a relatively small userbase, which can limit opportunities to upload more. That may have been a blessing in disguise. Faced with the evidence, the man decided to plead guilty and was sentenced last week at the Court in Vibourg. In common with similar prosecutions recently, he received a suspended conditional sentence of 60 days' probation, 80 hours of community service, and confiscation of his computer equipment. The case against the DanishBytes user began with a Rights Alliance investigation and a referral to the police. As part of his sentence, the man must pay the anti-piracy group DKK 5,000 (US$600) in compensation but Rights Alliance director Maria Fredenslund is focused on the deterrent effect of another successful prosecution.

Netflix's trailblazing DVD-by-mail rental service has been relegated as a relic in the age of video streaming, but there is still a steady -- albeit shrinking -- audience of diehards who are happily paying to receive those discs in the iconic red-and-white envelopes. From a report: Netflix declined to comment for this story but during a 2018 media event, co-founder and co-CEO of Netflix Reed Hastings suggested the DVD-by-mail service might close around 2023. When -- not if -- it happens, Netflix will shut down a service that has shipped more than 5 billion discs across the U.S. since its inception nearly a quarter century ago. And it will echo the downfall of the thousands of Blockbuster video rental stores that closed because they couldn't counter the threat posed by Netflix's DVD-by-mail alternative.

Shortly before breakup from video streaming, the DVD-by-mail service boasted more than 16 million subscribers, a number that has now dwindled to an estimated 1.5 million subscribers, all in the U.S., based on calculations drawn from Netflix's limited disclosures of the service in its quarterly reports. Netflix's video streaming service now boasts 223 million worldwide subscribers, including 74 million in the U.S. and Canada. "The DVD-by-mail business has bequeathed the Netflix that everyone now knows and watches today," Marc Randolph, Netflix's original CEO, said during an interview at a coffee shop located across the street from the post office in Santa Cruz, California.

Some people turn on closed captions because they like how it helps them understand the plotlines of shows and movies, and multitask in front of the tube. Others turn them on because they can't hear what actors are saying. That doesn't always mean they are hard of hearing. From a report: Muddled audio is the top reason why more people are watching video with on-screen text, according to a May survey commissioned by language-teaching app Preply. As more video-production studios embrace advanced audio formats for at-home content, not every device can keep up. Plenty of viewers can't keep up, either.

"If you have people talking or shouting during the adventure scenes, the explode-y sounds are way higher than the dialogue," said Melanie Brooks, a 43-year-old professional musician in Boston. Catching some of the lines in her favorite fantasy and adventure TV series is hard without captions, she added. People tend to blame their flat-screen TVs for bad sound. The tube TVs of decades past had front-facing speakers that sent audio toward you, while new, super-thin models have speakers that are behind the screen or point downward, bouncing sound away from you. But your TV is just one of the culprits. The rest of the problem lies within virtually every other step of the audio process, from a studio's production choices to the device used to watch the content, said Richard Nevens, senior director of audio-hardware product management at Avid Technology, which specializes in audio- and video-editing tools.

Sound mixers combine all the sound in the video, including dialogue, music and background noises, into the audio we hear when we watch movies and shows. The professionals have advanced audio capabilities at their disposal, but they might not translate clearly on devices that aren't built to support state-of-the-art audio, Mr. Nevens said. For this reason, a movie designed to sound great in a giant theater might not sound the same on your smartphone -- or your TV.

James Cameron once got himself onto the list for a potential visit to the International Space Station. It's just one of several surprising scientific achievements buried deep inside GQ's massive 7,000-word profile: After James Cameron's Avatar came out in 2009 and made $2.7 billion, the director found the deepest point that exists in all of earth's oceans and, in time, he dove to it. When Cameron reached the bottom of the Mariana Trench, a couple of hundred miles off the southwest coast of Guam, in March 2012, he became the first person in history to descend the 6.8-mile distance solo, and one of only a few people to ever go that deep....

It would be fair to call him the father of the modern action movie, which he helped invent with his debut, The Terminator, and then reinvent with his second, Aliens; it would be accurate to add that he has directed two of the three top-grossing films in history, in Avatar (number one) and Titanic (number three). But he is also a scientist — a camera he helped design served as the model for one that is currently on Mars, attached to the Mars rover — and an adventurer, and not in the dilettante billionaire sense; when Cameron sets out to do something, it gets done. "The man was born with an explorer's instincts and capacity," Daniel Goldin, the former head of NASA, told me....

The original Avatar... required the invention of dozens of new technologies, from the cameras Cameron shot with to the digital effects he used to transform human actors into animated creatures to the language those creatures spoke in the film. For [his upcoming Avatar sequel] The Way of Water, Cameron told me, he and his team started all over again. They needed new cameras that could shoot underwater and a motion-capture system that could collect separate shots from above and below water and integrate them into a unified virtual image; they needed new algorithms, new AI, to translate what Cameron shot into what you see....

Among other things, Cameron said, The Way of Water would be a friendly but pointed rebuke to the comic book blockbusters that now war with Cameron's films at the top of the box office lists: "I was consciously thinking to myself, Okay, all these superheroes, they never have kids. They never really have to deal with the real things that hold you down and give you feet of clay in the real world." Sigourney Weaver, who starred in the first Avatar as a human scientist and returns for The Way of Water as a Na'vi teenager, told me that the parallels between the life of the director and the life of his characters were far from accidental: "Jim loves his family so much, and I feel that love in our film. It's as personal a film as he's ever made."
Another interesting detail from the article: Cameron and his wife became vegetarians over a decade ago, built their own pea-protein facility in Saskatchewan, and though they later sold it Cameron says he "pretty much" loves farming and pea protein as much as movies. And he once suggested re-branding the word vegan as "futurevore," since "We're eating the way people will eat in the future. We're just doing it early."

But in a 29-minute video interview, Cameron also fondly discusses his earlier ground-breaking films, even as GQ's writer notes their new trajectory. "It is a curious fact that Cameron has directed only two feature films in the last 25 years — and perhaps more curious that both are Avatar installments, and perhaps even more curious that the next three films he hopes to direct are also Avatar sequels....

"Cameron told me he'd already shot all of a third Avatar, and the first act of a fourth. There is a script for a fifth and an intention to make it, as long as the business of Avatar holds up between now and then. It seems entirely possible — maybe even probable — that Cameron will never make another non-Avatar film again."

"People just seem to really enjoy coming together to pretend fake things are real," writes the Guardian.

"Thousands of Tumblr users have been making posters, soundtracks, drawings and fan fiction for a 1973 Scorsese film starring Robert De Niro — but it never existed." Released in 1973, the little-seen Scorsese flick starred Robert De Niro as Goncharov, "a former discotheque owner who comes to Naples after the fall of the Soviet Union" with the goal of becoming a mob boss. Harvey Keitel plays the eye-patched Andrey (or Andrei) "The Banker" Daddano; Gene Hackman plays Valery Michailov; Al Pacino appears as Mario Ambrosini and Cybill Shepherd plays Goncharov's wife, Katya. Apparently, it was really good and was added to the Criterion Collection.

And you've never heard of it because it doesn't actually exist....

A few years ago, a Tumblr user posted a photo of some "knockoff boots" they had ordered online that had a very strange tag on the tongue: "The greatest mafia movie ever made. Martin Scorsese presents GONCHAROV. Domenico Proccacci production. A film by Matteo JWHJ0715. About the Naples Mafia." This mostly went ignored until 2020, when another Tumblr user reblogged a comment made on the original post, reading: "this idiot hasn't seen goncharov...."

The internet works in mysterious ways; earlier this month, Tumblr user beelzeebub made a fake poster for the film, tens of thousands of people were suddenly sharing it and lo: a new Scorsese film was born... [L]ike all of the best jokes, people have really committed to the bit. There's the film's poster, which has the tagline "greatest mafia movie (n)ever made". A music teacher in Indiana composed a theme song for Goncharov, inspired by The Godfather. There is also a cash-in video game, with an accompanying soundtrack, and a fake VHS.

"Academics" wrote essays analysing the film, which were published in (fake) film journals. A representative for the movie reviewing platform Letterboxd even told the New York Times that they had had to remove multiple reviews for the film that had been submitted by users.