HBO Max, WarnerMedia's new streaming service combining HBO with Warner Bros. movies and Turner TV shows, will launch on May 27th, the company announced today. From a report: HBO Max's big selling point is being able to combine all of HBO's offerings on top of a slate of original titles that are exclusive to the app, classic Warner Bros. movies, and more. HBO Max will also be the exclusive home of Friends, which hasn't been streaming anywhere in the United States since it left Netflix on January 1st. (Although some of the service's exclusives, like the Friends reunion special, are facing delays following production issues caused by the novel coronavirus pandemic.) The streaming service offers more to watch than HBO Now and HBO Go, and WarnerMedia and AT&T are hoping people who use both services will switch over to Max, the company's new crown jewel. Existing HBO subscribers on AT&T (approximately 10 million) and HBO Now direct billing subscribers will get HBO Max for free, the company previously announced. Customers who subscribe to AT&T's premium video, mobile, and broadband packages will be offered bundles with HBO Max at no additional cost. At a cost of $14.99 a month, HBO Max is the priciest of the entries in the so-called streaming wars.

Ticketmaster is finalizing a plan to begin offering refunds to concertgoers who purchased tickets to an event canceled or indefinitely postponed by the ongoing coronavirus pandemic. Vulture reports: Starting May 1, per Billboard, ticket-holders will be alerted to their concert or show's new date, then given 30 days to request a refund. If they don't seek a refund, their ticket will be valid for the event on its new date. If their event has been straight-up canceled, well, then their refund will be returned to them either way.

If that's not enough options for you, however, Live Nation has two other suggestions for those fans whose shows have been canceled: receive credit for a future ticket through their "Rock When You Are Ready" program, up to 150% of your initial ticket's value, or donate the value of your refunded ticket to health-care employees battling COVID-19 through the company's Hero Nation program. As for when we'll all actually be packed into a stadium again, singing along to Taylor Swift's "Lover," truly, only time will tell. The plan comes after the company came under fire by concertgoers for quietly changing its refund policy to cover only canceled events -- not the many functions that promoters have indefinitely "postponed" or rescheduled to a date/time that some ticketholders cannot make.

As Marvel cuts staff and publishers stop selling new titles, artists, shop owners and writers worry for the future of an industry worth billions. From a report: There are no new comic books. Steve Geppi, head of Diamond Comic Distributors, which distributes nearly every comic sold in the anglophone world (or used to), announced this on 23 March, though senior industry figures already knew what was coming. The coronavirus pandemic had sunk retailers deep into the red. They couldn't pay their bills to Diamond or rent to their landlords, because they hadn't made any sales. "Product distributed by Diamond and slated for an on-sale date of 1 April or later will not be shipped to retailers until further notice," Geppi wrote. If shops can't pay Diamond, Diamond can't pay the industry's constellation of comics publishers, who then can't pay artists, writers, editors and printers, who now can't pay their rent or credit card bills -- or buy comics.

Sales of comics, graphic novels and collectibles distributed by Diamond were $529.7m in 2019 -- a huge number which suggests that a months-long gap between issues of Batman, Captain America and Spawn will stretch into tens of millions of dollars in lost revenue. (Though Diamond plans to start shipping comics to shops again on 17 May, many around the world will still be in lockdown then.) The unprecedented situation has encouraged many acts of kindness, by individuals and companies. In solidarity with the shops relying on physical sales, most publishers are not currently selling new comics digitally. And dozens of artists and writers are auctioning off books and art to benefit others; DC artist Jim Lee is sketching a superhero pinup every day for two months, selling them for thousands on eBay to benefit comics shops.

Movie ticketing company Fandango has agreed to buy Walmart's on-demand video streaming service, Vudu, for an undisclosed sum. From a report: The video service today reaches over 100 million living room devices across the U.S. including smart TVs, Blu-ray players, game consoles, and other over-the-top streaming devices, as well as Windows 10 and Mac computers, and iOS and Android mobile devices. To date, the Vudu app on mobile has been installed over 14.5 million times. As a part of the agreement, Vudu will continue to power Walmart's digital movie and TV store on Walmart.com. In addition, Walmart says Vudu customers will have uninterrupted access to their Vudu library. They'll also continue to be able to use their Walmart login as well as their Walmart wallet to make purchases on Vudu, the retailer notes.

There's a scene in the 1984 Tom Hanks movie Splash "showing a brief glimpse of a naked butt..." notes the Verge, "but people watching the movie on Disney Plus are greeted with an entirely different version of the scene."

And the Verge sees a larger issue: Disney used CGI hair to cover actress Daryl Hannah's body. A Disney representative confirmed to The Verge that a "few scenes" from Splash were "slighted edited to remove nudity," but they did not specify when the edits were made...

Splash has found itself in the middle of an ongoing debate over media being altered in digital spaces. It's a debate that's raged for decades; fans were upset when George Lucas edited A New Hope, making it so Greedo shot first instead of Han. People bemoaned Lucas and 20th Century Fox for not releasing the original version of the film anywhere, either. The only legal versions of A New Hope that exist for people to buy, download, or stream today feature Greedo shooting first. It wasn't just that Lucas and Fox replaced the original scene with a slightly altered one, but the original also wasn't available to purchase when reprints were made...

"As physical media gives way to streaming, large corporations have greater and greater control over what we can and cannot see," Slate's Isaac Butler wrote on the issue. "This gives them unprecedented power to disappear bothersome work.

"Whether we agree with a particular instance of memory-holing or not, this practice is deeply troubling, its history even more so."

The Washington Post describes it as "the next internet." Wikipedia defines it as "a collective virtual shared space...including the sum of all virtual worlds, augmented reality, and the Internet." But it was Neal Stephenson who named it "the metaverse" in his 1992 science fiction novel Snow Crash.

Are we closer to seeing it happen? The Washington Post reports: In the past month, office culture has coalesced around video chat platforms like Zoom, while personal cultural milestones like weddings and graduations are being conducted in Nintendo's Animal Crossing: New Horizons. The Metaverse not only seems realistic — it would probably be pretty useful right about now. The Metaverse reality is still years, possibly decades, away. But Epic Games CEO Tim Sweeney has been publicly pushing for its creation, and he isn't alone in his desire to push for the Metaverse, where the online world echoes and fulfills real-world needs and activities. Constructing the virtual Internet space is Silicon Valley's macro goal, many of whom are obsessed with Neal Stephenson's 1992 book, "Snow Crash," which defined the term.

In recent years, Facebook, Google and Samsung have all made heavy investments in cloud computing and virtual reality companies in anticipation of a Metaverse... But it's Epic Games, with Fortnite, that has the most viable path forward in terms of creating the Metaverse, according to an essay by venture capitalist and former Amazon executive Matthew Ball... [The article also notes other "traits" of the metaverse in Minecraft and Roblox.] The most widely agreed core attributes of a Metaverse include always being live and persistent — with both planned and spontaneous events always occurring — while at the same time providing an experience that spans and operates across platforms and the real world. A Metaverse must also have no real cap on audience, and have its own fully functioning economy... Fortnite hasn't reached Metaverse status yet. But Fortnite as a social network and impossible-to-ignore cultural phenomenon, Ball says, provides Epic Games a key advantage for leading in the Metaverse race. Fortnite draws a massive, willing and excited audience online to engage with chaotically clashing intellectual properties... "This organic evolution can't be overemphasized," Ball writes in his essay. "If you 'declared' your intent to start a Metaverse, these parties would never embrace interoperability or entrust their IP. But Fortnite has become so popular and so unique that most counterparties have no choice but to participate... Fortnite is too valuable a platform...."

The current swarm to an online-only social and capitalist economy has only highlighted the current Internet's failings, and what the Metaverse needs to do, Ball said. Big sites like Facebook, Google and Amazon continue to dominate online activity, as do larger streaming services like YouTube and Netflix. But each location requires its own membership and has separate ecosystems. "Right now, the digital world basically operates as though every restaurant and bar you go to requires a different ID card, has a different currency, requires their own dress codes and has their own units [of service and measurement]," Ball said. "It is clear that this really advantages the biggest services. People are just sticking to the big games, really. However there's a clear argument that reducing network lock-in can really raise all boats here."

Sweeney said as much in his DICE Summit keynote speech February. If the game industry wants to reshape the Internet and move away from Silicon Valley's walled gardens, Sweeney stressed that publishers need to rethink economies in the same way email was standardized... "We need to give up our attempts to each create our own private walled gardens and private monopoly and agree to work together and recognize we're all far better off if we connect our systems and grow our social graphs together.
Neal Stephenson answered questions from Slashdot readers back in 2004.

The web-based Apple Music experience that launched in beta last September is now available at music.apple.com. MacRumors reports: The previous beta.music.apple.com address automatically forwards to the newly launched version. Once you're signed into the web version of Apple Music with your Apple ID that has an associated Apple Music subscription, you'll have access to all of your library and playlist content, as well as the same personal mixes and recommendations you'll see in the Music apps for iOS, Mac, and Android. Apple Music content plays right in the web browser, providing access for an array of devices and platforms that don't have native Music app support, include Windows 10, Linux, and Chrome OS.

An anonymous reader quotes a report from Bloomberg: Apple is developing over-ear wireless headphones with parts that can be swapped in and out, seeking to augment its AirPods business with a high-end audio product. The Cupertino, California-based tech giant is working on at least two variations, including a premium version with leather-like fabrics and a fitness-focused model that uses lighter, breathable materials with small perforations. Prototypes of the headphones have a retro look with oval-shaped ear cups that swivel and a headband connected by thin, metal arms. The arms stem from the top of the ear cups rather than the sides.

The ear pads and headband padding attach to the frame of the headphones magnetically so they can be replaced by the user. That approach is similar to some headphones from Master & Dynamic and Bowers & Wilkins, though those models only have magnetic ear pads. Apple's more modular design will allow users to customize their headphones like they do with the Apple Watch. The design may also mean the same set of headphones would be convertible from comfort to fitness use and back again. Apple plans to use similar wireless-pairing and noise-cancellation tech in its upcoming headphones to what is already in the AirPods Pro. The company aims to unveil the product later this year, however complications during final development or from the Covid-19 pandemic could affect the timing and features again.

The Entertainment Software Rating Board (ESRB), which is the organization that rates the content of video games, announced a new label today to indicate that a game will offer in-game purchases of loot boxes or similar types of items that provide a player with randomized rewards. The Verge reports: "This new Interactive Element, In-Game Purchases (Includes Random Items), will be assigned to any game that contains in-game offers to purchase digital goods or premiums with real world currency (or with virtual coins or other forms of in-game currency that can be purchased with real world currency) for which the player doesn't know prior to purchase the specific digital goods or premiums they will be receiving (e.g., loot boxes, item packs, mystery awards)," according to the ESRB. The label will be applied to "loot boxes, gacha games, item or card packs, prize wheels, treasure chests, and more," the organization said.

The new label will sit below the game's content rating, as seen in the photo above. The ESRB originally introduced the "in-game purchases" label in February 2018, but that label was broad enough that it could be applied to any game that offered any sort of buyable digital good, including non-randomized items like subscriptions, season passes, or upgrades to disable ads.

Ticketmaster has quietly changed its refund policy to no longer cover postponed or rescheduled shows. Now, the Live Nation company's refund policy simply says: "Refunds are available if your event is canceled." From a report: It's hardly a secret that the coronavirus (COVID-19) crisis has brought the live-event industry to a screeching halt. Responding both to government mandates and health concerns, promoters have canceled (or delayed) sporting events, concerts, and essentially all other audience-based entertainment functions. And predictably, a substantial number of would-be attendees are looking to receive refunds for the tickets they bought prior to the pandemic. In responding to this unprecedented cluster of repayment requests, Ticketmaster has quietly changed its refund policy to cover only canceled events -- not the many functions that promoters have indefinitely "postponed" or rescheduled to a date/time that some ticketholders cannot make.

An anonymous reader quotes a report from Technology Networks: According to a popular view, creativity is a product of the brain's right hemisphere -- innovative people are considered "right-brain thinkers" while "left-brain thinkers" are thought to be analytical and logical. Neuroscientists who are skeptical of this idea have argued that there is not enough evidence to support this idea and an ability as complex as human creativity must draw on vast swaths of both hemispheres. A new brain-imaging study out of Drexel University's Creativity Research Lab sheds light on this controversy by studying the brain activity of jazz guitarists during improvisation. The study, which was recently published in the journal NeuroImage, showed that creativity is, in fact, driven primarily by the right hemisphere in musicians who are comparatively inexperienced at improvisation. However, musicians who are highly experienced at improvisation rely primarily on their left hemisphere. This suggests that creativity is a "right-brain ability" when a person deals with an unfamiliar situation but that creativity draws on well-learned, left-hemisphere routines when a person is experienced at the task. "[W]hen a person is an expert, his or her performing is produced primarily by relatively unconscious, automatic processes that are difficult for a person to consciously alter, but easy to disrupt in the attempt, as when self-consciousness causes a person to 'choke' or falter," the report says. "In contrast, novices' performances tend to be under deliberate, conscious control. Thus, they are better able to make adjustments according to instructions given by a teacher or coach."

"Recordings of brain activity could reveal the point at which a performer is ready to release some conscious control and rely on unconscious, well-learned routines. Releasing conscious control prematurely may cause the performer to lock-in bad habits or nonoptimal technique."

An anonymous reader quotes a report from Ars Technica: Cable-TV companies are still charging customers for sports channels even as the coronavirus pandemic forces the suspension of all major sports leagues. The continued charges include Regional Sports Network (RSN) fees, which often add almost $10 to customer bills in exchange for access to local professional and college live-sports broadcasts. But RSN fees are just one piece of the puzzle, as national sports broadcasts on channels like ESPN, NBC, ABC, and Fox account for some percentage of the bundle charges paid by TV customers. Complicating matters is the sheer number of parties involved in live-sports contracts. Individual teams in the NBA, NHL, and MLB sell the rights to their games to regional sports networks, which in turn sell the rights to carry their channels to cable, satellite, and streaming TV providers. In addition to individual teams, the major sports leagues have big contracts with programmers for games that are broadcast nationally instead of just in the regions where the participating teams are located.

Another wrinkle is that cable companies often own the broadcasters that air live sports. Comcast owns NBC, including regional sports networks, so other cable-TV companies have to pay Comcast for the right to broadcast many national and local sporting events. AT&T owns Turner Sports and RSNs, while Charter owns or operates several Spectrum-branded sports channels. We've asked these companies about how they're handling the contracts they have with other TV providers but haven't gotten any substantial information. Charter said, "We are in constant touch with the teams and our network distributors on this issue. We will, of course, abide by our contractual obligations." "There probably won't be definitive answers about refunds for TV customers in the U.S. any time soon," the report adds. "Customers might eventually get refunds even if they make no changes to their service plans, but the size of those refunds could end up being disappointing. People who subscribe to cable TV mostly for live sports may want to downgrade or cancel their TV packages until sports leagues come back, but they'll have to be careful in cases where they are subject to cable contracts and early termination fees."

If this were Europe, "it's easier to buy sports channels. separately instead of the traditional cable bundle," reports the Inquirer. Europe's Sky Sports, for example, is allowing customers to pause their subscriptions until the action resumes.

An anonymous reader shares a story: Ahead of last November's launch of the Apple TV+ video streaming service, Apple seemed to be doing nearly everything it could to widen the base of early viewers -- it gave away a free year of service with any newly purchased iPhone, iPad, Mac, iPod, or Apple TV, then added free access to student Apple Music subscriptions, collectively guaranteeing itself millions of (unpaid) users. But that apparently wasn't enough: Starting today, the company will offer free access to seven complete TV+ series to almost any person with an Apple ID.

Apple's video strategy has continued to stand in stark contrast to Disney's, though both companies launched paid streaming services last year. Disney+ offers a mere seven-day free trial before charging $6.99 per month or $69.99 per year for access to a large catalog of new original and historic Disney, Pixar, Marvel, Star Wars, and National Geographic content, plus The Simpsons. This week, Disney+ surpassed 50 million subscribers across only a dozen countries, and it has recently rewarded quarantined fans by providing early access to its latest animated films, including Frozen II and Onward.

Nintendo's Animal Crossing has become a place for Hong Kong protesters to congregate without flouting social distancing rules. Bloomberg reports: Animal Crossing is a simulation game where players live on an idyllic tropical island and befriend anthropomorphic animals. Players can customize their islands with in-game illustrating tools and visit each other's islands online. Pro-democracy content created for the game has gone viral on social media, including Twitter. In a tweet last week, one of Hong Kong's most well-known democracy campaigners, Joshua Wong, said he was playing the game and that the movement had shifted online. In one video posted to Twitter, a group of players use bug-catching nets to hit pictures of the city's leader Carrie Lam on a beach in the game. A nearby poster states "Free Hong Kong. Revolution Now."

Netflix is strengthening parental controls, offering more tools to limit what kids can watch on the world's most popular paid streaming service. From a report: Parents can now filter out titles they deem inappropriate and protect individual profiles with a PIN so kids can't use them, the company said Tuesday. These changes take effect for customers in all 190 countries where the streaming service is available.

Samsung is killing its Smart View app for Android and iOS, which serves as a remote control for its older smart TVs. From a report: The company has updated the application's descriptions to announce that it will no longer be supported starting on October 5th. Android Police first spotted the changes and noted that, in addition to its capability as a remote control, Smart View can also beam music and media to the company's TVs. It's unclear how Samsung defines "older" -- hence which all models will be impacted.

Mike Masnick, reporting at TechDirt: Five years ago, we wrote about another such crazy demand -- a PRO (Performance Rights Organizations (PROs), sometimes known as "Collection Societies," that have a long history of demanding licensing for just about every damn thing) in Sweden demanding that rental car companies pay a performance license because their cars had radios, and since "the public" could rent their cards and listen to the radio, that constituted "a communication to the public" that required a separate license. The case has bounced around the courts, and finally up to the Court of Justice for the EU which has now, finally, ruled that merely renting cars does not constitute "communication to the public."

Disney+ has arrived in India through Hotstar, a popular on-demand video streamer the giant conglomerate picked up as part of the Fox deal. From a report: To court users in India, the largest open entertainment market in Asia, Disney is charging users 1,499 Indian rupees (about $19.5) for a year, the most affordable plan in any of the more than a dozen markets where Disney+ is currently available. Subscribers of the revamped streaming service, now called Disney+ Hotstar, will get access to Disney Originals in English as well as several local languages, live sporting events, dozens of TV channels, and thousands of movies and shows, including some sourced from HBO, Showtime, ABC and Fox that maintain syndication partnerships with the Indian streaming service. It also maintains partnership with Hooq -- at least for now. Unlike Disney+'s offering in the U.S. and other markets, in India, the service does not support 4K and streams content at nearly a tenth of their bitrate.

The popular early internet meme machine YTMND.com is back online after shutting down last May due to declining ad revenue and the site creator's ill health. Motherboard reports: Launched in 2001, YTMND was one of the early internet's first sources of viral content. Users could attach a gif, often animated but not always, to a piece of looping sound. Users could vote on these animations, share, or remix them. Its death was sad, a piece of early internet, gone forever. But over the last year, [the site's creator Max Goldberg] said fans helped him test the new site, find bugs, and pushed him for regular updates.

Goldberg said he rebuilt the site from the ground up, which is why it took the better part of a year. One of the biggest challenges was converting everything away from Flash, which Adobe is finally retiring this year. "That means YTMNDs play more reliably (and work on mobile phones!) and will also be future-compatible," Goldberg said. "The new player was written in a way that makes archiving a YTMND significantly easier, which opens up a lot of possibilities. I've also removed all social media and advertising from the site." He also replaced all the hardware that was running the site.

The esteemed science fiction author, best known for movie "Arrival" that is based on his novel, on how we may never go "back to normal" -- and why that might be a good thing. From an interview on Electric Literature: EL: Do you see aspects of science fiction (your own work or others) in the coronavirus pandemic? In how it is being handled, or how it has spread?
TC: While there has been plenty of fiction written about pandemics, I think the biggest difference between those scenarios and our reality is how poorly our government has handled it. If your goal is to dramatize the threat posed by an unknown virus, there's no advantage in depicting the officials responding as incompetent, because that minimizes the threat; it leads the reader to conclude that the virus wouldn't be dangerous if competent people were on the job. A pandemic story like that would be similar to what's known as an "idiot plot," a plot that would be resolved very quickly if your protagonist weren't an idiot. What we're living through is only partly a disaster novel; it's also -- and perhaps mostly -- a grotesque political satire.

EL: This pandemic isn't science fiction, but it does feel like a dystopia. How can we understand the coronavirus as a cautionary tale? How can we combat our own personal inclinations toward the good/evil narrative, and the subsequent expectation that everything will return to normal?
TC: We need to be specific about what we mean when we talk about things returning to normal. We all want not to be quarantined, to be able to go to work and socialize and travel. But we don't want everything to go back to business as usual, because business as usual is what led us to this crisis. COVID-19 has demonstrated how much we need federally mandated paid sick leave and universal health care, so we don't want to return to a status quo that lacks those things. The current administration's response ought to serve as a cautionary tale about the dangers of electing demagogues instead of real leaders, although there's no guarantee that voters will heed it. We're at a point where things could go in some very different ways, depending on what we learn from this experience.