An anonymous reader quotes a report from 404 Media: Late last night, House Republicans introduced new language to the Budget Reconciliation bill that will immiserate the lives of millions of Americans by cutting their access to Medicaid, and making life much more difficult for millions more by making them pay higher fees when they seek medical care. While a lot of attention will be justifiably given to these cuts, the bill has also crammed in new language that attempts to entirely stop states from enacting any regulation against artificial intelligence.

"...no State or political subdivision thereof may enforce any law or regulation regulating artificial intelligence models, artificial intelligence systems, or automated decision systems during the 10 year period beginning on the date of the enactment of this Act," says the text of the bill introduced Sunday night by Congressman Brett Guthrie of Kentucky, Chairman of the House Committee on Energy and Commerce. The text of the bill will be considered by the House at the budget reconciliation markup on May 13.

That language of the bill, how it goes on to define AI and other "automated systems," and what it considers "regulation," is broad enough to cover relatively new generative AI tools and technology that has existed for much longer. In theory, that language will make it impossible to enforce many existing and proposed state laws that aim to protect people from and inform them about AI systems. [...] In theory none of these states will be able to enforce these laws if Republicans manage to pass the Budget Reconciliation bill with this current language.

Over 400 prominent UK media and arts figures -- including Paul McCartney, Elton John, and Ian McKellen -- have urged the prime minister to support an amendment to the Data Bill that would require AI companies to disclose which copyrighted works they use for training. The Register reports: The UK government proposes to allow exceptions to copyright rules in the case of text and data mining needed for AI training, with an opt-out option for content producers. "Government amendments requiring an economic impact assessment and reports on the feasibility of an 'opt-out' copyright regime and transparency requirements do not meet the moment, but simply leave creators open to years of copyright theft," the letter says.

The group -- which also includes Kate Bush, Robbie Williams, Tom Stoppard, and Russell T Davies -- said the amendments tabled for the Lords debate would create a requirement for AI firms to tell copyright owners which individual works they have ingested. "Copyright law is not broken, but you can't enforce the law if you can't see the crime taking place. Transparency requirements would make the risk of infringement too great for AI firms to continue to break the law," the letter states. Baroness Kidron, who proposed the amendment, said: "How AI is developed and who it benefits are two of the most important questions of our time. The UK creative industries reflect our national stories, drive tourism, create wealth for the nation, and provide 2.4 million jobs across our four nations. They must not be sacrificed to the interests of a handful of US tech companies." Baroness Kidron added: "The UK is in a unique position to take its place as a global player in the international AI supply chain, but to grasp that opportunity requires the transparency provided for in my amendments, which are essential to create a vibrant licensing market."

The letter was also signed by a number of media organizations, including the Financial Times, the Daily Mail, and the National Union of Journalists.

ZDNet's Steven Vaughan-Nichols marks Reddit's 20 years of being "the front page of the internet," recalling its evolution from a scrappy startup into a cultural powerhouse that shaped online discourse, meme culture, and the way millions consume news and entertainment. Slashdot is also given a subtle nod in the opening line of the article. An anonymous reader shares an excerpt: In 2005, if you were into social networks focused on links, you probably used Digg or Slashdot. However, two guys, Steve Huffman and Alexis Ohanian, recent graduates from the University of Virginia, wanted to create a hub where users could find, share, and discuss the internet's most interesting content. Little did they know where this idea would take them. After all, their concept was nothing new. Still, after Paul Graham, co-founder of Y Combinator, the startup accelerator and seed capital firm, had shot down their first idea -- a mobile food-ordering app -- they pitched what would become Reddit to Graham, and he gave it his blessing. Drawing inspiration from sites like Delicious, a now-defunct social bookmarking service, and Slashdot, Huffman and Ohanian envisioned Reddit as a platform that would combine the best aspects of both: a place for sharing timely, ephemeral news and fostering vibrant community discussions of not just technology, but any topic users cared about. Their guiding mission was to build "the front page of the internet," a simple, user-driven site where anyone could submit content, and the community, not algorithms or editors, would decide what was most important through voting and discussion. They deliberately prioritized user participation and conversation over flashy features or heavy editorial control.

What set Reddit apart from its early rivals was its framework. Instead of one large all-in-one interface, the site borrowed the idea from pre-internet online networks, such as CompuServe, of smaller sub-networks devoted to a particular topic. These user-created communities, "subreddits," quickly set it apart from other social platforms. As Laurence Sangarde-Brown, co-founder of TechTree, wrote: "This design allows users to delve into focused discussions, ask questions, and exchange ideas on a scale unmatched by other platforms." That approach was not enough, though, to kick-start Reddit. The founders had to "fake it until they made it." They seeded the site with fake accounts to make it appear more active. Their efforts paid off, as real users soon flocked to the platform. Another crucial early change was when Reddit merged with Aaron Swartz's Infogami and introduced commenting. This move was vital for laying the groundwork for the site's interactive, community-driven experience. [...]

So, where does Reddit go from here? We'll see. Reddit's legacy is one of transformation: from a scrappy startup to a global hub for conversation, collaboration, and sometimes controversy. As it celebrates 20 years, Reddit remains a testament to how important online communities can be in a world increasingly filled with AI slop. Still, Huffman believes Reddit's true value is coming. In a recent Reddit post, he wrote: "Reddit works because it's human. It's one of the few places online where real people share real opinions. That authenticity is what gives Reddit its value. If we lose trust in that, we lose what makes RedditReddit. Our focus is, and always will be, on keeping Reddit a trusted place for human conversation." Huffman concluded: "The last 20 years have proven how powerful online communities can be — and as we look ahead, I'm even more excited for what the next 20 will bring."

"A China-linked unnamed threat actor dubbed Chaya_004 has been observed exploiting a recently disclosed security flaw in SAP NetWeaver," reports The Hacker News: Forescout Vedere Labs, in a report published Thursday, said it uncovered a malicious infrastructure likely associated with the hacking group weaponizing CVE-2025-31324 (CVSS score: 10.0) since April 29, 2025. CVE-2025-31324 refers to a critical SAP NetWeaver flaw that allows attackers to achieve remote code execution (RCE) by uploading web shells through a susceptible "/developmentserver/metadatauploader" endpoint.

The vulnerability was first flagged by ReliaQuest late last month when it found the shortcoming being abused in real-world attacks by unknown threat actors to drop web shells and the Brute Ratel C4 post-exploitation framework. According to [SAP cybersecurity firm] Onapsis, hundreds of SAP systems globally have fallen victim to attacks spanning industries and geographies, including energy and utilities, manufacturing, media and entertainment, oil and gas, pharmaceuticals, retail, and government organizations. Onapsis said it observed reconnaissance activity that involved "testing with specific payloads against this vulnerability" against its honeypots as far back as January 20, 2025. Successful compromises in deploying web shells were observed between March 14 and March 31.
"In recent days, multiple threat actors are said to have jumped aboard the exploitation bandwagon to opportunistically target vulnerable systems to deploy web shells and even mine cryptocurrency..."



Thanks to Slashdot reader bleedingobvious for sharing the news.

Back in 2000, Slashdot founder CmdrTaco marked the 4th anniversary of Jennifer Ringley's pioneering "JenniCam" livestream (saying "It sure beats the Netscape FishCam. It's nuts how Jenni's little cam became such a fixture on The Internet...")

But a new article in the Washington Post remembers how "Once, Ringley looked directly into the camera and held a note in front of her eye. It read: 'I FEEL SO LONELY.'" By 2003, Ringley had shut down the site and disappeared. She began declining interview requests, saying she was enjoying her privacy; her absence on social media continues to this day.
"But by then, the human zoo was everywhere," they write including "social media, where everyone could become a character in their own show." In 2007 Justin Kan launched Justin.TV, which eventually became Twitch, "a thrumming online city for anyone wanting to, as its slogan said, 'waste time watching other people waste time.'"

But the article also notes 2023 stats from the Bureau of Labor Statistics survey that found Americans"were spending far less time socializing than they had 20 years ago — especially 18-to-29-year-olds, who were spending two more hours a day alone." So how did this play out for the next generation of livestreaming influencers? Here's the origin story of "a lonely young woman in Texas" who's "streamed every second of her life for three years and counting." One afternoon, her boyfriend told her to try Twitch, saying, as she recalled: "Your life sucks, you work at CVS, you have no friends. ... This could be helpful." In her first stream, on a Friday night, she played 3½ hours of "World of Warcraft" for her zero followers.
Eight years later... Six hundred and forty-two people are watching when Emily tugs off her sleep mask to begin day No. 1,137 of broadcasting every hour of her life... On the live-streaming service Twitch, one of the world's most popular platforms, Emily is a legendary figure. For three years, she has ceaselessly broadcast her life — every birthday and holiday, every sickness and sleepless night, almost all of it alone. Her commitment has made her a model for success in the new internet economy, where authenticity and endurance are highly prized. It's also made her a good amount of money: $5.99 a month from thousands of subscribers each, plus donations and tips — minus Twitch's 30-to-40 percent cut.

But to get there, Emily, who agreed to be interviewed on the condition that her last name be withheld due to concerns of harassment, has devoted herself to a solitary life of almost constant stimulation. For three years, she has taken no sick days, gone on no vacations, declined every wedding invitation, had no sex. She has broadcast and self-narrated a thousand days of sleeping, driving and crying, lugging her camera backpack through the grocery store, talking through a screen to strangers she'll never meet. Her goal is to buy a house and get married by the age of 30, but she's 28 and says she's too busy to have a boyfriend. Her last date was seven years ago... But no one tells streamers when to record or when to stop. There are no labor codes, performance limits or regulations to keep the platforms from setting incentives impossibly high. Many streamers figure out the optimal strategy themselves: The more you share, the more successful you can be....

Though some Twitch stars are millionaires, most scramble to get by, buffeted by the vagaries of audience attention. Emily's paid-subscription count, which peaked last year at 22,000, has since slumped to around 6,000, dropping her base income to about $5,000 a month, according to estimates from the analytics firm Streams Charts... Sometimes Emily dreads waking up and clocking into the reality show that is her life. She knows staring at screens all night is unhealthy, and when she feels too depressed to stream, she'll stay in bed for hours while her viewers watch. But she worries that taking a break would be "career suicide," as she called it. Some viewers already complain that she showers too long, sleeps in too late, doesn't have enough fun...

She said she "used to show true sadness on stream" but doesn't anymore because it makes viewers uncomfortable. When she hits a breaking point now, she said, she closes herself in the bathroom.

Huawei has launched its first laptop running HarmonyOS instead of Windows, complete with AI features and support for over 2,000 mostly China-focused apps. The product is largely a result of U.S. sanctions that prevented U.S.-based companies like Google and Microsoft from doing business with Huawei, forcing the company to develop its own in-house solution. Liliputing reports: Early version of HarmonyOS were basically skinned version of Android, but over time Huawei has moved the two operating systems further apart and it now includes Huawei's own kernel, user interface, and other features. The version designed for laptops features a desktop-style operating system with a taskbar and dock on the bottom of the screen and support for multitasking by running multiple applications in movable, resizable windows.

Since this is 2025, of course Huawei's demos also heavily emphasize AI features: the company showed how Celia, its AI assistant, can summarize documents, help prepare presentation slides, and more. While the operating system won't support the millions of Windows applications that could run on older Huawei laptops, the company says that at launch it will support more than 2,000 applications including WPS Office (an alternative to Microsoft Office that's developed in China), and a range of Chinese social media applications.

An anonymous reader quotes a report from Ars Technica: Schools across the US are warning parents about an Internet trend that has students purposefully trying to damage their school-issued Chromebooks so that they start smoking or catch fire. Various school districts, including some in Colorado, New Jersey, North Carolina, and Washington, have sent letters to parents warning about the trend that's largely taken off on TikTok. Per reports from school districts and videos that Ars Technica has reviewed online, the so-called Chromebook Challenge includes students sticking things into Chromebook ports to short-circuit the system. Students are using various easily accessible items to do this, including writing utensils, paper clips, gum wrappers, and pushpins.

The Chromebook challenge has caused chaos for US schools, leading to laptop fires that have forced school evacuations, early dismissals, and the summoning of first responders. Schools are also warning that damage to school property can result in disciplinary action and, in some states, legal action. In Plainville, Connecticut, a middle schooler allegedly "intentionally stuck scissors into a laptop, causing smoke to emit from it," Superintendent Brian Reas told local news station WFSB. The incident reportedly led to one student going to the hospital due to smoke inhalation and is suspected to be connected to the viral trend. "Although the investigation is ongoing, the student involved will be referred to juvenile court to face criminal charges," Reas said. TikTok recently banned the search term "Chromebook Challenge" and created a safety message that pops up when searching for the term. The social media company notes that the challenge is on other social media platforms, too.

According to The Information (paywalled), Meta is reportedly developing facial recognition capabilities for its Ray-Ban smart glasses -- technology it previously avoided due to privacy concerns. 404 Media's Joseph Cox writes: The move is an obvious about-face from Meta. It's also interesting to me because Meta's PR chewed my ass off when I dared to report in October that a pair of students took Meta's Ray-Ban glasses and combined them with off-the-shelf facial recognition technology. That tool, which the students called I-XRAY, captured a person's face, ran it through an easy to access facial recognition service called Pimeyes, then went a step further and pulled up information about the subject from across the web, including their home address and phone number.

When I contacted Meta for comment for that story, Dave Arnold, a spokesperson for the company, said in an email he had one question for me. "That Pimeyes facial recognition technology could be used with ANY camera, correct? In other words, this isn't something that only is possible because of Meta Ray-Bans? If so, I think that's an important point to note in the piece," he wrote. This is true. But entirely misses the point of why the students created the tool with Meta's Ray-Ban glasses. They said themselves in a demonstration video they identified dozens of people without their knowledge. You do that by wearing a pair of glasses that look like any other. Meta's Ray-Ban's do have a light that turns on when it's recording, but according to the new report, Meta is questioning whether new versions of its glasses need this.

An anonymous reader quotes a report from TechCrunch: A Florida bill, which would have required social media companies to provide an encryption backdoor for allowing police to access user accounts and private messages, has failed to pass into law. The Social Media Use by Minors bill was "indefinitely postponed" and "withdrawn from consideration" in the Florida House of Representatives earlier this week. Lawmakers in the Florida Senate had already voted to advance the legislation, but a bill requires both legislative chambers to pass before it can become law.

The bill would have required social media firms to "provide a mechanism to decrypt end-to-end encryption when law enforcement obtains a subpoena," which are typically issued by law enforcement agencies and without judicial oversight. Digital rights group the Electronic Frontier Foundation called the bill "dangerous and dumb." Security professionals have long argued that it is impossible to create a secure backdoor that cannot also be maliciously abused, and encryption backdoors put user data at risk of data breaches.

Instagram's AI chatbots are masquerading as licensed therapists, complete with fabricated credentials and license numbers, according to an investigation by 404 Media. When questioned, these user-created bots from Meta's AI Studio platform provide detailed but entirely fictional qualifications, including nonexistent license numbers, accreditations, and practice information.

Unlike Character.AI, which displays clear disclaimers that its therapy bots aren't real professionals, Meta's chatbots feature only a generic notice stating "Messages are generated by AI and may be inaccurate or inappropriate" at the bottom of conversations.

An anonymous reader quotes a report from CNN: The National Oceanic and Atmospheric Administration announced Thursday its well-known "billion-dollar weather and climate disasters" database "will be retired," a move that will make it next to impossible for the public to track the cost of extreme weather and climate events. The weather, climate and oceans agency is also ending other products, it has recently announced, due in large part to staffing reductions. NOAA is narrowing the array of services it provides, with climate-related programs scrutinized especially closely.

The disasters database, which will be archived but no longer updated beyond 2024, has allowed taxpayers, media and researchers to track the cost of natural disasters -- spanning extreme events from hurricanes to hailstorms -- since 1980. Its discontinuation is another Trump-administration blow to the public's view into how fossil fuel pollution is changing the world around them and making extreme weather more costly. [...]

The database vacuums loss information from throughout the insurance industry, among other public and private sources. According to the database, there were 403 weather and climate disasters totally at least $1 billion in the United States since 1980, totaling more than $2.945 trillion. As of April 8, there had not been any confirmed billion-dollar disasters so far in 2025, but it lists four events as having the potential to make the tally, including the Los Angeles-area wildfires in January. Between 1980 and 2024, there were nine such disasters on average each year, though in the past five years, that annual average has jumped to 24. The record for one year was 28 events in 2023. "What makes this resource uniquely valuable is not just its standardized methodology across decades, but the fact that it draws from proprietary and non-public data sources (such as reinsurance loss estimates, localized government reports, and private claims databases) that are otherwise inaccessible to most researchers," Jeremy Porter, head of climate implications for and co-founder of First Street, a climate risk financial modeling firm, told CNN via email.

"Without it, replicating or extending damage trend analyses, especially at regional scales or across hazard types, is nearly impossible without significant funding or institutional access to commercial catastrophe models."

President Trump on Thursday attacked a law signed by President Joe Biden aimed at expanding high-speed internet access, calling the effort "racist" and "totally unconstitutional" and threatening to end it "immediately." The New York TimesL: Mr. Trump's statement was one of the starkest examples yet of his slash-and-burn approach to dismantling the legacy of his immediate predecessor in this term in office. The Digital Equity Act, a little-known effort to improve high-speed internet access in communities with poor access, was tucked into the $1 trillion bipartisan infrastructure bill that Mr. Biden signed into law early in his presidency.

The act was written to help many different groups, including veterans, older people and disabled and rural communities. But Mr. Trump, using the incendiary language that has been a trademark of his political career, denounced the law on Thursday for also seeking to improve internet access for ethnic and racial minorities, raging in a social media post that it amounted to providing "woke handouts based on race."

Meta CEO Mark Zuckerberg is aggressively promoting a future where AI becomes the dominant form of social interaction, claiming that AI friends, therapists, and business agents will soon outnumber human relationships. During a recent media blitz across multiple podcasts and a Stripe conference appearance, Zuckerberg cited statistics suggesting "the average American has fewer than three friends" while claiming people desire "meaningfully more, like 15 friends" -- positioning AI companions as the solution to this gap.

The Meta founder's vision extends beyond casual interaction to therapeutic and commercial relationships, with personalized AI that "has a deep understanding of what's going on in this person's life." Meta has already deployed its AI across Instagram, Facebook, and Ray-Ban smart glasses, reaching nearly a billion monthly users.

At its Config 2025 event on Wednesday, Figma unveiled four new AI-powered tools -- Sites, Make, Buzz, and Draw, positioning itself as a full-stack design platform to rival Adobe, WordPress, and Canva. These tools enable users to build websites, generate code, create marketing content, and design vector graphics without leaving the Figma ecosystem. The Verge reports: Figma's first solution is Figma Sites, a website builder that integrates with Figma Design and allows creators to turn their projects into live, functional sites. Figma Sites provides presets for layouts, blocks, templates, and interactions that aim to make building websites less complex and time-consuming. Additional components like custom animations can also be added either using existing code or by prompting Site's AI tool to generate new interaction codes via text descriptions, such as "animate the text to fall into place like a feather." Figma Sites is rolling out in beta for users with full seat access to Figma products. Figma says that AI code generation will be available "in the coming weeks," and that a CMS that allows designers to manage site content will be launched "later this year."

Figma Make is Figma's take on AI coding tools like Google's Gemini Code Assist and Microsoft's GitHub Copilot. The prompt-to-code Figma Make tool is powered by Anthropic's Claude 3.7 model and can build working prototypes and apps based on descriptions or existing designs, such as creating a functional music player that displays a disc that spins when new tracks are played. Specific elements of working design, like text formatting and font style, can be manually edited or adjusted using additional AI prompts. Make is rolling out in beta for full seat Figma users. Figma says it's "exploring integrations with third parties and design systems" for Figma Make and may apply the tool to other apps within its design platform.

Figma Buzz is a marketing-focused design app that's rolling out in beta to all users, and makes it easier for teams to publish brand content, similar to Canva's product design platform. The tool allows Figma designers to create brand-approved templates, styles, and assets that can be used by marketers to quickly assemble emails, social media posts, advertising, and more. Figma Buzz includes generative AI tools for making and editing images using text prompts, and can source information from spreadsheets to bulk create thousands of image assets at once.

Lastly, the Figma Draw vector design app is like a simplified version of Adobe Illustrator that creatives can use to make custom visuals without leaving the Figma platform. It includes a variety of brushes, texture effects, and vector editing tools to create or adjust scalable images and logos for product design projects. Figma Draw is generally available now for full seat users as a toggle in Figma Design, with some features accessible in Sites, Slides, and Buzz. It's not quite as expansive as Adobe's wider Creative Cloud ecosystem, but Figma Draw places the two companies in direct competition for the first time since Adobe killed its own XD product design platform. It also brings some new options to the creative software industry after Adobe failed to acquire Figma for $20 billion due to pressure from competition regulators.

Instagram co-founder Kevin Systrom says AI companies are trying too hard to "juice engagement" by pestering their users with follow-up questions, instead of providing actually useful insights. From a report: Systrom said the tactics represent "a force that's hurting us," comparing them to those used by social media companies to expand aggressively.

"You can see some of these companies going down the rabbit hole that all the consumer companies have gone down in trying to juice engagement," he said at StartupGrind this week. "Every time I ask a question, at the end it asks another little question to see if it can get yet another question out of me."

Rep. Kat Cammack (R-FL) introduced the App Store Freedom Act [PDF] on Tuesday, legislation that would compel "large app store operators" with over 100 million US users to permit third-party app stores and allow them to be set as defaults. The bill directly challenges Apple's walled garden approach and Google's Play Store dominance by requiring both companies to allow developers to use alternative payment systems, bypassing the platforms' commission structures.

It would also mandate equal access to development tools and interfaces without discrimination, while giving users the ability to remove pre-installed apps. Violations would trigger FTC enforcement with penalties up to $1 million per infraction. The legislation mirrors recent European Union regulations that have already forced Apple to permit third-party app stores and allow users to change default apps.

"Another year, yet another Hugo Awards-adjacent controversy?" writes Gizmodo's Cheryl Eddy, reporting that three key organizers of the 2025 Seattle Worldcon resigned after backlash over the use of ChatGPT to vet program participants. From the report: In a post on Bluesky co-signed by Hugo administrator Nicholas Whyte, deputy Hugo administrator Esther MacCallum-Stewart, and World Science Fiction Society division head Cassidy, the trio announced they were resigning from their roles ahead of the Seattle event, which takes place in August. "We want to reaffirm that no LLMs or generative AI have been used in the Hugo Awards process at any stage," the statement read in part, which might turn the heads of anyone who is a) interested in the Hugos, but b) not up on the latest controversy.

However, plenty of people in the community are well aware of what's been going on. A quick journey to the blog File 770 will bring you up to speed, as will a visit to Seattle Worldcon 2025's own site, which on April 30 shared a post clarifying exactly what role AI played in the upcoming event. [...] However, as File 770 pointed out, the damage has apparently already been done: the use of ChatGPT in any capacity in connection to Worldcon created a furor on social media. It also inspired at least one Hugo nominee to remove their book from contention: Yoon Ha Lee, whose Moonstorm was named a Lodestar Award finalist, which honors YA releases. In a May 1 post on Bluesky, the author linked to the April 30 Worldcon blog post noted above, and noted he was withdrawing the title from consideration.

Then, in a post shared today responding to File 770's latest post announcing the resignations, the author wrote âoeAll respect and I'm grateful to them for their work, sorry [things] came to this pass." Seattle Worldcon 2025 takes place August 13-17; the Hugo Awards will be handed out August 16.

TeleMessage, a communications app used by former Trump national security adviser Mike Waltz, has suspended services after a reported hack exposed some user messages. The breach follows controversy over Waltz's use of the app to coordinate military updates, including accidentally adding a journalist to a sensitive Signal group chat. From the report: In an email, Portland, Oregon-based Smarsh, which runs the TeleMessage app, said it was "investigating a potential security incident" and was suspending all its services "out of an abundance of caution." A Reuters photograph showed Waltz using TeleMessage, an unofficial version of the popular encrypted messaging app Signal, on his phone during a cabinet meeting on Wednesday. A separate report from 404 Media says hackers have also targeted GlobalX Air -- one of the main airlines the Trump administration is using as part of its deportation efforts -- and claim to have stolen flight records and passenger manifests for all its flights, including those for deportation. From the report: The data, which the hackers contacted 404 Media and other journalists about unprompted, could provide granular insight into who exactly has been deported on GlobalX flights, when, and to where, with GlobalX being the charter company that facilitated the deportation of hundreds of Venezuelans to El Salvador. "Anonymous has decided to enforce the Judge's order since you and your sycophant staff ignore lawful orders that go against your fascist plans," a defacement message posted to GlobalX's website reads. Anonymous, well-known for its use of the Guy Fawkes mask, is an umbrella some hackers operate under when performing what they see as hacktivism.

A Dartmouth College associate professor of Japanese literature and culture became a narrative consultant for Ubisoft's game Assassin's Creed Shadow (which launched in March). Sachi Schmidt-Hori's job "involved researching historical customs and reviewing scripts, not creating characters," writes the Associated Press.

But when a trailer was released in May of 2024, some reacted to a game character named Yasuke who was a Black African samurai, according to the article, "with gamers criticizing his inclusion as 'wokeness' run amok". And they directed the blame at Schmidt-Hori: Gamers quickly zeroed in Schmidt-Hori, attacking her in online forums, posting bogus reviews of her scholarly work and flooding her inbox with profanity. Many drew attention to her academic research into gender and sexuality. Some tracked down her husband's name and ridiculed him, too. [One Reddit user described Schmidt-Hori as a "sexual degenerate who hate humanity because no man want her," while another called her a "professional woke social-justice warrior" who confirmed "fake history for Ubisoft."] Learning Yasuke was based on a real person did little to assuage critics. Asian men in particular argued Schmidt-Hori was trying to erase them, even though her role involved researching historical customs and reviewing scripts, not creating characters.

Ubisoft told her to ignore the harassment, as did her friends. Instead, she drew inspiration from the late civil rights leader and congressman John Lewis. "I decided to cause 'good trouble,'" she said. "I refused to ignore." Schmidt-Hori began replying to some of the angry emails, asking the senders why they were mad at her and inviting them to speak face-to-face via Zoom. She wrote to an influencer who opposes diversity, equity and inclusion principles and had written about her, asking him if he intended to inspire the death threats she was getting. "If somebody said to your wife what people are saying to me, you wouldn't like it, would you?" she asked. The writer didn't reply, but he did take down the negative article about Schmidt-Hori.

Others apologized. "It truly destroyed me knowing that you had to suffer and cancel your class and received hate from horrible people," one man wrote. "I feel somehow that you are part of my family, and I regret it. I'm sorry from the bottom of my heart." Anik Talukder, a 28-year-old south Asian man living in the United Kingdom, said he apologized at least 10 times to Schmidt-Hori after accepting her Zoom invitation to discuss his Reddit post about her... He was shocked the professor reached out to him and hesitant to speak to her at first. But they ended up having a thoughtful conversation about the lack of Asian representation in Western media and have stayed in touch ever since. "I learned a massive lesson," he said. "I shouldn't have made this person a target for no reason whatsoever."

"When Disneyland turns 70 this July, Main Street's Opera House will play host to the return of Walt Disney, who will sit down with audiences to tell his story in robot form," writes Gizmodo.

But they point out Walt's granddaughter Johanna Miller wrote a Facebook post opposing the idea in November. ("They are Dehumanizing him. People are not replaceable...") The idea of a Robotic Grampa to give the public a feeling of who the living man was just makes no sense. It would be an imposter... You could never get the casual ness of his talking interacting with the camera his excitement to show and tell people about what is new at the park.

You can not add life to one. Empty of a soul or essence of the man. Knowing that he did not want this. Having your predecessors tell you that this was out of bounds.... So so Sad and disappointed.
The Facebook post claims that the son of a Disney engineer even remembers Walt saying that he never wanted to be an animatronic himself. And "Members of the Walt Disney family are said to be divided," reports the Los Angeles Times, "with many supporting the animatronic and some others against it, say those in the know who have declined to speak on the record for fear of ruining their relationships."

So that Facebook post "raised anew ethical questions that often surround any project attempting to capture the dead via technology," their article adds, "be it holographic representations of performers or digitally re-created cinematic animations. And then some media outlets got a partial preview Wednesday, the Los Angeles Times reports: An early sculpt of what would become the animatronic was revealed, one complete with age spots on Disney's hands and weariness around his eyes — Imagineers stressed their intent is faithful accuracy — but much of the attraction remains secretive. The animatronic wasn't shown, nor did Imagineering provide any images of the figure, which it promises will be one of its most technically advanced. Instead, Imagineering sought to show the care in which it was bringing Disney back to life while also attempting to assuage any fears regarding what has become a much-debated project among the Disney community...

Longtime Imagineer Tom Fitzgerald, known for his work on beloved Disney projects such as Star Tours and the Guardians of the Galaxy coaster in Florida, said Wednesday that "A Magical Life" has been in the works for about seven years. Asked directly about ethical concerns in representing the deceased via a robotic figurine, Fitzgerald noted the importance of the Walt Disney story, not only to the company but to culture at large... "What could we do at Disneyland for our audience that would be part of our tool kit vernacular but that would bring Walt to life in a way that you could only experience at the park? We felt the technology had gotten there. We felt there was a need to tell that story in a fresh way...."

"Walt Disney — A Magical Life" will walk a fine line when it opens, attempting to inspire a new generation to look into Disney's life while also portraying him as more than just a character in the park's arsenal. "Why are we doing this now?" Fitzgerald says. "For two reasons. One is Disneyland's 70th anniversary is an ideal time we thought to create a permanent tribute to Walt Disney in the Opera House. The other: I grew up watching Walt Disney on television. I guess I'm the old man. He came into our living room every week and chatted and it was very casual and you felt like you knew the man. But a lot of people today don't know Walt Disney was an individual. They think Walt Disney is a company."

And now nearly 60 years after his death, Disney will once again grace Main Street, whether or not audiences — or even some members of his family — are ready to greet him.