[Full disclosure: I am the husband of one of the models Nimoy used for his "Full Body Project", and she might be interviewed as a part of the documentary; However, cutting room floors being what they are, even virtually, that's not a guarantee she would actually be IN the doc.]
Best Novel: Annihilation, Jeff VanderMeer
Best Novella: Yesterday's Kin, Nancy Kress
Best Novelette: "A Guide to the Fruits of Hawai'i", Alaya Dawn Johnson
Best Short Story: "Jackalope Wives", Ursula Vernon
Ray Bradbury Award for Outstanding Dramatic Presentation: Guardians of the Galaxy, directed by James Gunn
Andre Norton Award for Young Adult Science Fiction and Fantasy: Love Is the Drug, Alaya Dawn Johnson
2015 Damon Knight Grand Master Award: Larry Niven
Solstice Award: Joanna Russ (posthumous), Stanley Schmidt
Kevin O'Donnell Jr. Service Award: Jeffry Dwight
Venancio takes the historical context for each ship type and then explains how it's been adapted for a sci-context. "Corvettes might be outfitted to have some sort of stealth or cloaking system for reconnaissance or spec ops missions; naturally it would be easier to cloak a smaller ship than a larger one (though plenty of examples of large stealth ships exist). In some series they are likely to be diplomatic vessels due to their small size and speed, particularly seen in Star Wars, and can commonly act as blockade runners (again; their small size and speed makes them ideal for slipping through a blockade, where a larger ship presents more of a target)."
But there's more to it than that. A lot more. How about the years'-long wait for Act IV of Starship Exeter : "The Tressaurian Intersection"? Or Yorktown: "A Time to Heal" — an attempt to resurrect an aborted fan film from 1978 starring George Takei? For fans of old-school Star Trek (the ones who pre-date "Trekker" and wear "Trekkie" as a badge of honor), not since 1969 has there been a better time to watch Star Trek: The Original Series.
(Oh, and there's plenty content out there for you "Trekkers" and NextGen-era fans. It all varies in quality, but it doesn't take much effort to find them. This is truly a Golden Age. Recognize it and enjoy it while it lasts.)
1) Mars doesn't have any life on it at all. And now, it's looking more likely that there could be bacteria living beneath the surface. 2) There would be enough of the chemical compounds we need to survive. 3) There's nothing poisonous to us on the surface. In fact, the surface is covered with perchlorates, which are highly toxic to humans, and the original Viking mission did not detect these. "It's no longer a simple matter," Robinson says. "It's possible that we could occupy, inhabit and terraform Mars. But it's probably going to take a lot longer than I described in my books."
The Golden Age science fiction publishing market was heavily geared toward magazines and short stories. And then suddenly, there was this huge demand for tons of novels. According to Andrew Liptak, this left many science fiction authors caught in a hard place: Many had come to depend on the large number of magazines on the market that would pay them for their work, and as readership declined, so too did the places in which to publish original fiction. The result was an innovative solution: repackage a number of preexisting short stories by adding to or rewriting portions of them to work together as a single story. This has its advantages; you get more narrative "payoff" with a collection of stories that also forms a single continuous meta-story than you do with a single over-arching novel — because each story has its own conclusion, and yet the story builds towards a bigger resolution. Fix-ups are a good, representative example of the transition that the publishing industry faced at the time, and how its authors adapted. Liptak says, "It's a lesson that's well-worth looking closely at, as the entire publishing industry faces new technological challenges and disruptions from the likes of self-publishing and micro-press platforms."